An Actor Prepares

Front Cover
Taylor & Francis, 1989 - Performing Arts - 313 pages
4 Reviews
Reviews aren't verified, but Google checks for and removes fake content when it's identified
This work is the first volume of Stanislavski's trilogy on the art of acting; it explains the art of acting in semi-fiction form. Fusing psychological realism and expressionism, his exploratory exercises teach actors to evoke past emotions that draw out their vulnerability. Stanislavski here introduces such concepts as the "magic if," "emotion memory," the "unbroken line" and many more now famous rehearsal aids. This classic manual is written from the viewpoint of fictional actors taking lessons from a director (based on Stanislavski). Through the student's mistakes, questions, revelations, and struggles, Stanislavski teaches the actor about the stage, truth, and life itself.
 

What people are saying - Write a review

Reviews aren't verified, but Google checks for and removes fake content when it's identified

LibraryThing Review

User Review  - RKC-Drama - LibraryThing

An Actor Prepares is the most famous acting training book ever to have been written and the work of Stanislavski has inspired generations of actors and trainers. This edition, now reprinted with a new ... Read full review

LibraryThing Review

User Review  - RKC-Drama - LibraryThing

In "An Actor Prepares", Stanislavski deals with the inward preparation an actor must undergo in order to explore a role to the its full. He introduces the concepts of the 'magic of' units and ... Read full review

Selected pages

Contents

The First Test
1
When Acting Is an Art
13
Action
35
Imagination
59
Concentration of Attention
79
Relaxation of Muscles
103
Units and Objectives
121
Faith and a Sense of Truth
139
Communion
209
Adaptation
241
Inner Motive Forces
263
The Unbroken Line
271
The Inner Creative State
281
The SuperObjective
293
On the Threshold of Subconscious
303
Copyright

Emotion Memory
177

Other editions - View all

Common terms and phrases

About the author (1989)

Constantin Stanislavski (1863-1938), arguably the most influential director in the history of the theater, was the founder of the renowned Moscow Art Theater. A pioneer of psychological realism and improvisation on the stage, he devoted his life to developing the performance techniques now emulated throughout the world.

Bibliographic information