The Dubious Spectacle: Extremities of Theater, 1976-2000Spanning a quarter of a century, the essays in this book rehearse, in the movement of memory and cross-reflection, an extensive career in theater. The work of Herbert Blau--his directing, writing, and criticism--has been a determining force during this period as theater encounters theory. |
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Page vii
... Sound 230 New Music. 8. A Valediction Chills and Fever, Mourning, and the Vanities of the Sublime 9. The Dubious Spectacle of Collective Identity 137 10. Fantasia and Simulacra 157 Subtext of a Syllabus for the Arts in America 11. With ...
... Sound 230 New Music. 8. A Valediction Chills and Fever, Mourning, and the Vanities of the Sublime 9. The Dubious Spectacle of Collective Identity 137 10. Fantasia and Simulacra 157 Subtext of a Syllabus for the Arts in America 11. With ...
Page viii
... Sound 230 New Music and Theater 17. Flat-Out Vision 246 18. The Absolved Riddle 265 Sovereign Pleasure and the Baroque Subject in the Tragicomedies of John Fletcher 19. “Set Me Where You Stand” 281 Revising the Abyss 20. Limits of ...
... Sound 230 New Music and Theater 17. Flat-Out Vision 246 18. The Absolved Riddle 265 Sovereign Pleasure and the Baroque Subject in the Tragicomedies of John Fletcher 19. “Set Me Where You Stand” 281 Revising the Abyss 20. Limits of ...
Page xiv
... Sound.” However solid the sound, it is sub- ject to evanescence, like this too, too solid flesh, destined to disappear- ance, though Beethoven in a sonata (his last, in C minor) could draw it out exquisitely, memorially, through ...
... Sound.” However solid the sound, it is sub- ject to evanescence, like this too, too solid flesh, destined to disappear- ance, though Beethoven in a sonata (his last, in C minor) could draw it out exquisitely, memorially, through ...
Page 24
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Contents
1 | |
2 The Impossible Takes a Little Time | 18 |
3 Spacing Out in the American Theater | 37 |
Rehearsing the Resistance | 53 |
5 A Dove in My Chimney | 62 |
An Analytic Scenario | 70 |
The Grail of the Voice | 118 |
Chills and Fever Mourning and the Vanities of the Sublime | 132 |
13 Readymade Desire | 199 |
From Tango Palace to Mud | 206 |
The Group Idea and Its Legacy | 215 |
New Music and Theater | 230 |
17 FlatOut Vision | 246 |
Sovereign Pleasure and the Baroque Subject in the Tragicomedies of John Fletcher | 265 |
Revising the Abyss | 281 |
The Insane Root | 307 |
9 The Dubious Spectacle of Collective Identity | 137 |
Subtext of a Syllabus for the Arts in America | 157 |
Educating the American Theater | 181 |
12 The Pipe Dreams of ONeill in the Age of Deconstruction | 189 |
Notes | 321 |
Previous Publications | 335 |
Index | 337 |
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acting actors aesthetic American theater appearance Artaud artists Atget audience avant-garde Barthes Baudrillard Beckett Bertolt Brecht body Brecht Broadway Bunraku Cal Arts conception critique culture dead deconstruction Denise desire drama dream emotion essay fantasy Ghost Group Group Theater Hamlet happened Herbert Blau Humorous Lieutenant idea ideological illusion imagination Impossible Theater Isidore issue Jack Jules Irving kind King Lear KRAKEN less look madness Margaret matter meaning memory mind modern moving myth never O’Neill performance Peter photograph play politics postmodern production question regional theaters rehearsal representation Richard Foreman ritual Roland Barthes San Francisco scene seems sense sequence sixties social sort sound space speak spectacle stage Stelarc structure sure T. S. Eliot thea theatrical theory thing thought tion trans truth voice Waiting for Godot words Workshop wrote York