On the Shore of Nothingness: Space, Rhythm, and Semantic Structure in Religious Poetry and Its Mystic-Secular CounterpartThis book studies how poetic structure transforms verbal imitations of religious experience into concepts. The book investigates how such a conceptual language can convey such non-conceptual experiences as meditation, ecstasy or mystic insights. Briefly, it explores how the poet, by using words, can express the 'ineffable'. It submits to close reading English, French, German, Spanish, Italian, Armenian and Hebrew texts, from the Bible, through medieval, renaissance, metaphysical, and baroque poetry, to romantic and symbolistic poetry. |
From inside the book
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Page 8
... typically right-hemisphere activities of the brain. “Seeing the place” activates the orientation mechanism and puts the brain into an operative mode which conforms with meditation. This hypothesis was supported by a recent SPECT-imaging ...
... typically right-hemisphere activities of the brain. “Seeing the place” activates the orientation mechanism and puts the brain into an operative mode which conforms with meditation. This hypothesis was supported by a recent SPECT-imaging ...
Page 8
... typically subsumes the concrete images in a particular, coherent landscape. The orientation mechanism evoked by the landscape renders the compact abstractions diffuse, which may be perceived as an intense, supersensuous presence. This ...
... typically subsumes the concrete images in a particular, coherent landscape. The orientation mechanism evoked by the landscape renders the compact abstractions diffuse, which may be perceived as an intense, supersensuous presence. This ...
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... typically witty. The “Romantic” or “Mystic” mode seeks to achieve the verbal imitation of some experiential contact, of an intuitive rather than conceptual nature, with some reality that lies beyond the absolute limit of our experience ...
... typically witty. The “Romantic” or “Mystic” mode seeks to achieve the verbal imitation of some experiential contact, of an intuitive rather than conceptual nature, with some reality that lies beyond the absolute limit of our experience ...
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... typically, to reproduce effects characteristic of religious experience, or at least to display them. We also assume that religious poetry is sometimes quite successful in doing so.2 Our main innovation in this respect is that we take ...
... typically, to reproduce effects characteristic of religious experience, or at least to display them. We also assume that religious poetry is sometimes quite successful in doing so.2 Our main innovation in this respect is that we take ...
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... typical to religious experience can be detected in a text. Greeley's experimental findings (1975) with US subjects may ... typically generate such qualities. Mysticism is a religion in which God “ceases to be an object and becomes an ...
... typical to religious experience can be detected in a text. Greeley's experimental findings (1975) with US subjects may ... typically generate such qualities. Mysticism is a religion in which God “ceases to be an object and becomes an ...
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On the Shore of Nothingness: Space, Rhythm, and Semantic Structure in ... Reuven Tsur Limited preview - 2003 |
Common terms and phrases
abstract Andreas Gryphius aspects Auschwitz Baroque boundaries chapter characteristic cognitive Cognitive Poetics composition of place conception conceptual metaphor consciousness context contrast convergent device diffuse discussed Donne Donne’s ecstatic effect Ehrenzweig elements emotional evoke excerpt fire focus function gestalt-free Hebrew Herbert’s human Ibn Gabirol imagery instance intense kind language light man’s Martz meaning meditation mental metaphor metaphysical poetry metonymy Milton mystic experience mystic poetry nature Neo-Platonic nothingness noun numinous objects one’s orientation Paradise Lost paradox passage pattern perceived perception periphrasis phrase physical Platonic poem poet poetic position potentials predicate present prosodic quatrain quoted reader reality reference reinforced religious poetry rhyme rhythm romantic romantic poetry Rudolf Otto semantic sense sestet sonnet soul spatial speech sounds stanza structure sublime suggests syllables syntactic thing-free tion transcendence trochaic Tsur Tyger typically undifferentiated verb verbal verse visual shapes witty words Wordsworth’s world picture