The Geopolitical Aesthetic: Cinema and Space in the World System

aesthetic allegory already American become called camera characters cinema City of Sadness classical cognitive mapping collective conspiracy conspiratorial contemporary cultural Days of Eclipse deeper destiny detective dramatic economic Edward Yang Eurasian girl fictional figure film-maker film's filmic finally First-World formal function fundamental Gide global Godard historical human ideological individual James Woods Jameson Kidlat's kind Klute late capitalism Li-chung longer magic realism meaning Meanwhile modern modernist narrative nature novel object older organization Pakula's Parallax View Passion Perfumed Nightmare perhaps photographer plot political postmodern Prénom Carmen President's President's Men problem production protagonist question realism reality representation seems sense sequence shot situation social totality somehow Soviet space spatial specific story structure surely symbolic Terrorizer theme thereby thing Third World tion tive traditional ultimate unconscious urban victim Videodrome viewer virtually visual well-nigh White Chick world system