The Theater and the Dream: from Metaphor to Form in Renaissance Drama |
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Contents
Structural | 14 |
Myth as Mask | 29 |
Critics and Commediografi | 77 |
Copyright | |
6 other sections not shown
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Common terms and phrases
action actor Antipodes appear Apuleius audience become begins Brome called Chapman chapter close comedy commedia course court Criticism cure death direct discussion divine double drama dream earlier early effect Elizabethan English enters Epigrams fall father Ficino final Florence Florentine gives Hercules human Idea imagination Italian Italy Jonson King later learned light London look Lysander masque Mazzoni means metaphor myth nature never observed once opening Opera original Perkin perspective Platonic play players plot poem poet present Psyche question reality Renaissance ritual role satiric scene seems seen sense shadow Shakespeare soul spectator spirit stage Strozza structure suggested symbolic Tharsalio theater theatrical things Thou thought tion tradition true truth turn Venus vision wife young