HECTOR passes over. Pan. That's Hector, that, that, look you, that; There's a fellow !-Go thy way, Hector ;-There's a brave man, niece. O brave Hector! Look, how he looks! there's a countenance: Is't not a brave man ? Cres. O, a brave man! Pan. Is 'a not? It does a man's heart good-Look you what hacks are on his helmet? look you yonder, do you, see? look you there! There's no jesting there's laying on; take't off who will, as they say: there be hacks! Cres. Be those with swords? PARIS passes over. Pan. Swords? any thing, he cares not an the devil come to him, it's all one : By god's lid, it does one's heart good:-Yonder comes Paris, yonder comes Paris : look ye yonder, niece; Is't not a gallant man too, is't not? Why, this is brave now.-Who said, he came hurt home to-day he's not hurt: why, this will do Helen's heart good now. Ha! 'would I could see Troilus now!-you shall see Troilus anon. Cres. Who's that? HELENUS passes over. Pan. That's Helenus,-I marvel, where Troilus is :That's Helenus ;-I think he went not forth to-day That's Helenus. Cres. Can Helenus fight, uncle ? Pan. Helenus? no ;-yes, he'll fight indifferent well: -I marvel, where Troilus is !-Hark; do you not hear the people cry, Troilus --Helenus is a priest. ? Cres. What sneaking fellow comes yonder ? TROILUS passes over. Pan. Where? yonder? that's Deiphobus: 'Tis Troilus! there's a man, niece!-Hem!-Brave Troilus! the prince of chivalry! Cres. Peace, for shame, peace ! Pan. Mark him; note him ;-O brave Troilus !-look well upon him, niece; look you, how his sword is bloodied, and his helm more hack'd than Hector's; And how he looks, how he goes!—O admirable youth! he ne'er saw three and twenty. Go thy way Troilus, go thy way; had I a sister were a grace, or a daughter a goddess, he should take his choice. O admirable man! Paris ?-Paris is dirt to him; and, I warrant, Helen, to change, would give an eye to boot, VOL IX. Forces pass over the stage. Cres. Here come more. Pan. Asses, fools, dolts! chaff and bran, chaff and bran ! porridge after meat! I could live and die i'the eyes of Troilus. Ne'er look, ne'er look; the eagles are gone; crows and daws, crows and daws! I had rather be such a man as Troilus, than Agamemnon and all Greece. Cres. There is among the Greeks, Achilles; a better man than Troilus. Pan. Achilles? a drayman, a porter, a very camel. Pan. Well, well?--Why, have you any discretion? have you any eyes? Do you know what a man is? Is not birth, beauty, good shape, discourse, manhood, learning, gentleness, virtue, youth, liberality, and such like, the spice and salt that season a man? Cres. Ay, a minced man: and then to be baked with no date in the pye,--for then the man's date is out. Pan. You are such a woman! one knows not at what ward you lie.* Cres. Upon my back, to defend my belly; upon my wit, to defend my wiles; upon my secrecy, to defend mine honesty; my mask, to defend my beauty; and you, to defend all these and at all these wards I lie, at a thousand watches. Pan. Say one of your watches. Cres. Nay, I'll watch you for that; and that's one of the chiefest of them too: if I cannot ward what I would not have hit, I can watch you for telling how I took the blow; unless it swell past hiding, and then it is past watching. Pan. You are such another! Enter TROILUS' Boy. Boy. Sir, my lord would instantly speak with you. Pan. Where? Boy. At your own house; there he unarms him. Pan. Good boy, tell him I come: [Exit Boy.]--1 doubt, he be hurt. Fare ye well, good niece. Cres. Adieu, uncle. Pan. I'll be with you, niece, by and by. Cres.o bring, uncle, Pan. y, a token from Troilus. Cres. By the same token-you are a bawd. [Ex. PAN. [1] A metaphor from the art of defence. STEEVENS. -Words, vows, griefs, tears, and love's full sacrifice, But more in Troilus thousand fold I see SCENE III. 6 [Exit. The Grecian Camp. Before AGAMEMNON'S tent. Trumpets. Enter AGAMEMNON, NESTOR, ULYSSES, MENELAUS, and others. Agam. Princes, What grief hath set the jaundice on your cheeks? The ample proposition, that hope makes In all designs begun on earth below, Fails in the promis'd largeness: checks and disasters As knots, by the conflúx of meeting sap, That we come short of our suppose so far, That, after seven years' siege, yet Troy walls stand; That gave't surmised shape. Why then, you princes, And think them shames, which are, indeed, nought else To find persistive constancy in men? In fortune's love for then, the bold and coward, But in the wind and tempest of her frown, That she---means that woman. JOHNSON. [7] Joined by affinity. STEEVENS. Distinction, with a broad and powerful fan, And what hath mass, or matter, by itself Nest. With due observance of thy godlike seat,R Thy latest words. In the reproof of chance Upon her patient breast, making their way With those of nobler bulk ? But let the ruffian Boreas once enrage The gentle Thetis, and, anon, behold、 The strong-ribb'd bark through liquid mountains cut, Like Perseus' horse: Where's then the saucy boat, Than by the tiger but when the splitting wind : Makes flexible the knees of knotted oaks, And flies get under shade, Why, then, the thing of courage, As rous'd with rage, with rage doth sympathize, And with an accent turn'd in self-same key, Returns to chiding fortune.' Ulyss. Agamemnon, Thou great commander, nerve and bone of Greece, Heart of our numbers, soul and only spirit, In whom the tempers and the minds of all Should be shut up,-hear what Ulysses speaks. The which, most mighty for thy place and sway, [To AGAMEMNON And thou most reverend for thy stretch'd-out life, [TO NESTOR. I give to both your speeches, which were such, [8] The throne in which thou sittest, "like a descended god." 1 The brize is the gad or horse-fly. STEEVENS. MALONE. [2] It is said of the tiger, that in storms and high winds he rages and roars most furiously. HANMER, As venerable Nestor, hatch'd in silver, Should with a bond of air (strong as the axletree [pect Agam. Speak, prince of Ithaca; and be't of less exThat matter needless, of importless burden, Divide thy lips; than we are confident, When rank Thersites opes his mastiff jaws, We shall hear music, wit, and oracle. Ulyss. Troy, yet upon his basis, had been down, The specialty of rule hath been neglected:" What honey is expected? Degree being vizarded, The heavens themselves, the planets, and this centre," Insisture, course, proportion, season, form, And posts, like the commandment of a king, Sans check, to good and bad: But, when the planets, [3] Ulysses begins his oration with praising those who had spoken before him, and marks the characteristic excellencies of their different eloquence,---strength, and sweetness, which he expresses by the different metals on which he recommends them to be engraven for the instruction of posterity. The speech of Agamemnon is such that it ought to be engraven in brass, and the tablet held up by him on the one side, and Greece on the other, to show the union of their opinion. And Nestor ought to be exhibited in silver, uniting all his audience in one mind by his soft and gentle elocution. Brass is the common emblem of strength, and silver of gentleness. We call a soft voice a silver voice, and a persuasive tongue a silver tongue.--I once read for hand, the band of Greece, but I think the text right.---To hatch is a term of art for a particular method of engraving. Hacher, to cut, Fr. JOHNSON. [4] Expect for expectation. Thus we have suspect for suspicion, &c, STEEVENS. [5] The particular rights of supreme authority. JOHNSON. [6] The meaning is, When the general is not to the army like the hive to the bees, the repository of the stock of every individual, that to which each particular resorts with whatever he has collected for the good of the whole, what honey is expected? what hope of advantage? The sense is clear, the expression is confused. JOHNSON. [7] i. e. The centre of the earth; which, according to the Ptolemaic system then in vogue, is the centre of the solar system. WARBURTON. [8] The apparent irregular motions of the planets were supposed to portend some disasters to mankind; indeed the planets themselves were not thought formerly to |