Fab. Good madam, hear me speak; And let no quarrel, nor no brawl to come, Which I have wonder'd at. In hope it shall not, Oli. Alas, poor fool! how have they baffled 25 - thee! Clo. Why, some are born great, some achieve greatness, and some have greatness thrown upon them. I was one, sir, in this interlude; one Sir Topas, sir; but that's all one:-By the Lord, fool, I am not mad. But do you remember? Madam, why laugh you at such a barren rascal? an you smile not, he's gagg'd: And thus the whirligig of time brings in his revenges. Mal. I'll be revenged on the whole pack of you. [Exit. Oli. He hath been most notoriously abus'd. Of our dear souls. Mean time, sweet sister, 24 Importunacy. [Exeunt. 25 Baffled is cheated. See Note on the first Scene of K. Rich. II. 26 i. e. Shall serve, agree, be convenient. SONG. Clo. When that I was and a little tiny boy, But when I came to man's estate, With hey, ho, the wind and the rain, 'Gainst knaves and thieves men shut their gate, For the rain it raineth every day. But when I came, alas! to wive, With hey, ho, the wind and the rain, But when I came unto my bed, With hey, ho, the wind and the rain, A great while ago the world. begun, [Exit. THIS play is in the graver part elegant and easy, and in some of the lighter scenes exquisitely humorous. Ague-cheek is drawn with great propriety, but his character is, in a great measure, that of natural fatuity, and is therefore not the proper prey of a satirist. The soliloquy of Malvolio is truly comic; he is betrayed to ridicule merely by his pride. The marriage of Olivia, and the succeeding perplexity, though well enough contrived to divert on the stage, wants credibility, and fails to produce the proper instruction required in the drama, as it exhibits no just picture of life. JOHNSON |