Movie-Made America: A Cultural History of American Movies

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Knopf Doubleday Publishing Group, Oct 31, 2012 - Performing Arts - 432 pages
Hailed as the definitive work upon its original publication in 1975 and now extensively revised and updated by the author, this vastly absorbing and richly illustrated book examines film as an art form, technological innovation, big business, and shaper of American values.
Ever since Edison's peep shows first captivated urban audiences, film has had a revolutionary impact on American society, transforming culture from the bottom up, radically revising attitudes toward pleasure and sexuality, and at the same time, cementing the myth of the American dream. No book has measured film's impact more clearly or comprehensively than Movie-Made America.
This vastly readable and richly illustrated volume examines film as art form, technological innovation, big business, and cultural bellwether. It takes in stars from Douglas Fairbanks to Sly Stallone; auteurs from D. W. Griffith to Martin Scorsese and Spike Lee; and genres from the screwball comedy of the 1930s to the "hard body" movies of the 1980s to the independents films of the 1990s.
Combining panoramic sweep with detailed commentaries on hundreds of individual films, Movie-Made America is a must for any motion picture enthusiast.
 

Contents

Edisons Trust and How It Got Busted
3
48
15
18
74
Chaos Magic Physical Genius and the Art of Silent Comedy
104
MovieMade Children
122
The House That Adolph Zukor Built
141
The Moguls at Bay and the Censors Triumph
161
The Golden Age of Turbulence and the Golden Age of Order
175
The Disappearing Audience and the Television Crisis
269
Hollywoods Collapse
286
The Promise of Personal Film
305
Nadir and Revival
321
Hollywood and the Age of Reagan
339
From Myth to Memory
357
Independent Images
373
NOTES ON SOURCES
383

Walt Disney and Frank Capra
195
Selling Movies Overseas
215
The Hollywood Gold Rush
228
Hollywood at War for America and at War with Itself
249
BIBLIOGRAPHY
399
INDEX
405
Copyright

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About the author (2012)

Robert Sklar was born in 1936 and was educated in the public schools of Long Beach, California, and at Princeton University. After working as a reporter for the Los Angeles Times, he received his Ph.D. in the history of American civilization from Harvard University of 1965. He was a professor of cinema at New York University’s Tisch School of the Arts for more than thirty years, served on the selection committee of the New York Film Festival, and was a member of the National Film Preservation Board. Mr. Sklar's other books include Film: An International History of the Medium and City Boys: Cagney, Bogart, Garfield. He died in 2011.

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