Oral Reading, Discussion and Principles: And an Anthology of Practice Materials from Literature, Classical and Modern |
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Page 21
... turn . Inasmuch as he must turn instantly from one part to the next , it would not be feasible for him to attempt any complete impersonation . If he is reading from the script , just a bit of portrayal in voice is perhaps all that is ...
... turn . Inasmuch as he must turn instantly from one part to the next , it would not be feasible for him to attempt any complete impersonation . If he is reading from the script , just a bit of portrayal in voice is perhaps all that is ...
Page 219
... turn to what is called topical preaching . They search contemporary life in general and the newspapers in particular for subjects . They discover that in com- parison with dry , textual analysis there is such attractive vividness in ...
... turn to what is called topical preaching . They search contemporary life in general and the newspapers in particular for subjects . They discover that in com- parison with dry , textual analysis there is such attractive vividness in ...
Page 449
... Turn up on your right hand at the next turning , but , at the next turning of all , on your left ; marry , at the very next turning , turn of no hand , but turn down indirectly to the Jew's house . GOBBO . By God's sonties , ' twill be ...
... Turn up on your right hand at the next turning , but , at the next turning of all , on your left ; marry , at the very next turning , turn of no hand , but turn down indirectly to the Jew's house . GOBBO . By God's sonties , ' twill be ...
Contents
CHAPTER PAGE | 1 |
SPEAKER | 13 |
Robert Hutchins The Test of Education | 25 |
Copyright | |
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Oral Reading: Discussion and Principles, and an Anthology of Practice ... Lionel Crocker,Louis Michael Eich No preview available - 1955 |
Common terms and phrases
actor ALFRED LORD TENNYSON American audience breath characters CHORUS common consonants course diction dictionary diphthong effect emotion English Ernie Pyle experience expression eyes feel give Gunga Din hand hear human ideas interest Jesse James John John Galsworthy language lips listeners literature living look Lord Lowell Thomas MATERIAL FOR CHAPTER meaning mind mood mouth never oral reading passage pause person pharynx phrase pitch play poem poet poetry PRACTICE MATERIAL prayer preacher problem pronunciation prose radio reader reading aloud recital rhythm Robert Browning Robert Frost Rudyard Kipling scene script selection sense sentence sermon shanty boy Simon Legree SOLO sound speaker speaking speech story student syllable talk thing thou thought tion tone tongue unto Vachel Lindsay verse Vincent Millay vocal voice vowel William Rose Benét words writing York young