Oral Reading, Discussion and Principles: And an Anthology of Practice Materials from Literature, Classical and Modern |
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Page 77
... tongue is very useful in con- sonant formation . In fact , nine of the consonants on the chart are formed by this portion of the tongue . As for the remaining consonants shown , the tongue blade is responsible for four , the back of the ...
... tongue is very useful in con- sonant formation . In fact , nine of the consonants on the chart are formed by this portion of the tongue . As for the remaining consonants shown , the tongue blade is responsible for four , the back of the ...
Page 79
... tongue is very useful in con- sonant formation . In fact , nine of the consonants on the chart are formed by this portion of the tongue . As for the remaining consonants shown , the tongue blade is responsible for four , the back of the ...
... tongue is very useful in con- sonant formation . In fact , nine of the consonants on the chart are formed by this portion of the tongue . As for the remaining consonants shown , the tongue blade is responsible for four , the back of the ...
Page 81
... tongue is the only instrument growing sharper with constant use . All those who speak and read aloud a great deal can well afford to pay attention to the exercise of the tongue , in order to make its movements as accurate as possible ...
... tongue is the only instrument growing sharper with constant use . All those who speak and read aloud a great deal can well afford to pay attention to the exercise of the tongue , in order to make its movements as accurate as possible ...
Contents
CHAPTER PAGE | 1 |
SPEAKER | 13 |
Robert Hutchins The Test of Education | 25 |
Copyright | |
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Oral Reading: Discussion and Principles, and an Anthology of Practice ... Lionel Crocker,Louis Michael Eich No preview available - 1955 |
Common terms and phrases
actor ALFRED LORD TENNYSON American audience breath characters CHORUS common consonants course diction dictionary diphthong effect emotion English Ernie Pyle experience expression eyes feel give Gunga Din hand hear human ideas interest Jesse James John John Galsworthy language lips listeners literature living look Lord Lowell Thomas MATERIAL FOR CHAPTER meaning mind mood mouth never oral reading passage pause person pharynx phrase pitch play poem poet poetry PRACTICE MATERIAL prayer preacher problem pronunciation prose radio reader reading aloud recital rhythm Robert Browning Robert Frost Rudyard Kipling scene script selection sense sentence sermon shanty boy Simon Legree SOLO sound speaker speaking speech story student syllable talk thing thou thought tion tone tongue unto Vachel Lindsay verse Vincent Millay vocal voice vowel William Rose Benét words writing York young