Oral Reading, Discussion and Principles: And an Anthology of Practice Materials from Literature, Classical and Modern |
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Page 165
... talk directly into it , you will be in the best position for pro- jecting your voice over the air . You will be speaking " on the beam . " Now just be comfortable and relax . Unbutton the collar of your shirt and imagine that you are ...
... talk directly into it , you will be in the best position for pro- jecting your voice over the air . You will be speaking " on the beam . " Now just be comfortable and relax . Unbutton the collar of your shirt and imagine that you are ...
Page 166
... talk to the side of the microphone . 10. We read to the manuscript instead of to the microphone . 11. We breathe too noticeably , because excitement has dis- turbed our normal breathing . 12. We give away the fact that we are reading ...
... talk to the side of the microphone . 10. We read to the manuscript instead of to the microphone . 11. We breathe too noticeably , because excitement has dis- turbed our normal breathing . 12. We give away the fact that we are reading ...
Page 449
... Talk you of young Master Launcelot ? ( Aside . ) Mark me now ; now will I raise the waters . Talk you of young Master Launcelot ? GOBBO . No Master , sir , but a poor man's son : his father , though I say't , is an honest , exceeding ...
... Talk you of young Master Launcelot ? ( Aside . ) Mark me now ; now will I raise the waters . Talk you of young Master Launcelot ? GOBBO . No Master , sir , but a poor man's son : his father , though I say't , is an honest , exceeding ...
Contents
CHAPTER PAGE | 1 |
SPEAKER | 13 |
Robert Hutchins The Test of Education | 25 |
Copyright | |
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Oral Reading: Discussion and Principles, and an Anthology of Practice ... Lionel Crocker,Louis Michael Eich No preview available - 1955 |
Common terms and phrases
actor ALFRED LORD TENNYSON American audience breath characters CHORUS common consonants course diction dictionary diphthong effect emotion English Ernie Pyle experience expression eyes feel give Gunga Din hand hear human ideas interest Jesse James John John Galsworthy language lips listeners literature living look Lord Lowell Thomas MATERIAL FOR CHAPTER meaning mind mood mouth never oral reading passage pause person pharynx phrase pitch play poem poet poetry PRACTICE MATERIAL prayer preacher problem pronunciation prose radio reader reading aloud recital rhythm Robert Browning Robert Frost Rudyard Kipling scene script selection sense sentence sermon shanty boy Simon Legree SOLO sound speaker speaking speech story student syllable talk thing thou thought tion tone tongue unto Vachel Lindsay verse Vincent Millay vocal voice vowel William Rose Benét words writing York young