Oral Reading, Discussion and Principles: And an Anthology of Practice Materials from Literature, Classical and Modern |
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Page 31
... syllable ; words like between , sup- pose , receive accent the second syllable ; and words like wayward , rose - lipped , childhood accent both syllables . In words of three syllables , like popular , musician , promenade , the accent ...
... syllable ; words like between , sup- pose , receive accent the second syllable ; and words like wayward , rose - lipped , childhood accent both syllables . In words of three syllables , like popular , musician , promenade , the accent ...
Page 85
... syllable . When we are cautioned to read as we speak , gradation is one of the principles we must observe . We pronounce the word less , when it appears by itself as an adverb , with distinct stress ; but when we find it in combination ...
... syllable . When we are cautioned to read as we speak , gradation is one of the principles we must observe . We pronounce the word less , when it appears by itself as an adverb , with distinct stress ; but when we find it in combination ...
Page 160
... syllable of English . In song we do not modulate the syllables of our words , but we do so in speech . We can " bend " our voices up , and we can " bend " them down . This sliding up or sliding down on a syllable is called , naturally ...
... syllable of English . In song we do not modulate the syllables of our words , but we do so in speech . We can " bend " our voices up , and we can " bend " them down . This sliding up or sliding down on a syllable is called , naturally ...
Contents
CHAPTER PAGE | 1 |
SPEAKER | 13 |
Robert Hutchins The Test of Education | 25 |
Copyright | |
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Oral Reading: Discussion and Principles, and an Anthology of Practice ... Lionel Crocker,Louis Michael Eich No preview available - 1955 |
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actor ALFRED LORD TENNYSON American audience breath characters CHORUS common consonants course diction dictionary diphthong effect emotion English Ernie Pyle experience expression eyes feel give Gunga Din hand hear human ideas interest Jesse James John John Galsworthy language lips listeners literature living look Lord Lowell Thomas MATERIAL FOR CHAPTER meaning mind mood mouth never oral reading passage pause person pharynx phrase pitch play poem poet poetry PRACTICE MATERIAL prayer preacher problem pronunciation prose radio reader reading aloud recital rhythm Robert Browning Robert Frost Rudyard Kipling scene script selection sense sentence sermon shanty boy Simon Legree SOLO sound speaker speaking speech story student syllable talk thing thou thought tion tone tongue unto Vachel Lindsay verse Vincent Millay vocal voice vowel William Rose Benét words writing York young