Oral Reading, Discussion and Principles: And an Anthology of Practice Materials from Literature, Classical and Modern |
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Page 63
... rhythms of orchestral music , so one has to be trained to hear and to reproduce the in- tricate rhythms of good prose and poetry . A magnificent example of prose rhythm is to be found in the Authorized or King James Version of the ...
... rhythms of orchestral music , so one has to be trained to hear and to reproduce the in- tricate rhythms of good prose and poetry . A magnificent example of prose rhythm is to be found in the Authorized or King James Version of the ...
Page 69
... rhythms of orchestral music , so one has to be trained to hear and to reproduce the in- tricate rhythms of good prose and poetry . A magnificent example of prose rhythm is to be found in the Authorized or King James Version of the ...
... rhythms of orchestral music , so one has to be trained to hear and to reproduce the in- tricate rhythms of good prose and poetry . A magnificent example of prose rhythm is to be found in the Authorized or King James Version of the ...
Page 104
... RHYTHM OF POETRY A part of our response to poetry is our enjoyment of its rhythm , the swing of it , that which helps to bring out its melody and music . All good speech is rhythmical , good prose has rhythm , but it is in poetry that ...
... RHYTHM OF POETRY A part of our response to poetry is our enjoyment of its rhythm , the swing of it , that which helps to bring out its melody and music . All good speech is rhythmical , good prose has rhythm , but it is in poetry that ...
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Oral Reading: Discussion and Principles, and an Anthology of Practice ... Lionel Crocker,Louis Michael Eich No preview available - 1955 |
Common terms and phrases
American audience become beginning breath Browning called CHAPTER characters comes common Company course dead DEVIZES effect EMILY English example experience expression eyes face fact fall father feel give hand head hear heart human idea important interest John keep kind language less light listeners live look Lord material matter meaning mind natural never night once passage pause person PHILIP phrase play poem poetry practice present problem radio reader remember rhythm ROBERT Robin Hood Scene seems selection sense sound speak speaker speech stand story student talk tell thing thou thought understand voice whole words writing York young