Oral Reading, Discussion and Principles: And an Anthology of Practice Materials from Literature, Classical and Modern |
From inside the book
Results 1-3 of 78
Page 125
... play or novel you select for presentation should have an interesting plot . It should tell a story that carries the listeners along with it . The story should move , and the motivation should be sprightly and brisk . Deliver us from ...
... play or novel you select for presentation should have an interesting plot . It should tell a story that carries the listeners along with it . The story should move , and the motivation should be sprightly and brisk . Deliver us from ...
Page 127
... play or story he wishes to present , the reader must take into consideration his own limita- tions as to voice , stature , and personality . A small woman with a soprano voice had best not choose a play in which the chief rôle is that ...
... play or story he wishes to present , the reader must take into consideration his own limita- tions as to voice , stature , and personality . A small woman with a soprano voice had best not choose a play in which the chief rôle is that ...
Page 133
... play or story easily and unobtrusively . Avoid too obvious a break . Do not say : " I have completed my discussion of the char- acters . I will now begin the play . " Change from direct address to oblique impersonation in the least ...
... play or story easily and unobtrusively . Avoid too obvious a break . Do not say : " I have completed my discussion of the char- acters . I will now begin the play . " Change from direct address to oblique impersonation in the least ...
Contents
CHAPTER PAGE | 1 |
SPEAKER | 13 |
Robert Hutchins The Test of Education | 25 |
Copyright | |
44 other sections not shown
Other editions - View all
Oral Reading: Discussion and Principles, and an Anthology of Practice ... Lionel Crocker,Louis Michael Eich No preview available - 1955 |
Common terms and phrases
actor ALFRED LORD TENNYSON American audience breath characters CHORUS common consonants course diction dictionary diphthong effect emotion English Ernie Pyle experience expression eyes feel give Gunga Din hand hear human ideas interest Jesse James John John Galsworthy language lips listeners literature living look Lord Lowell Thomas MATERIAL FOR CHAPTER meaning mind mood mouth never oral reading passage pause person pharynx phrase pitch play poem poet poetry PRACTICE MATERIAL prayer preacher problem pronunciation prose radio reader reading aloud recital rhythm Robert Browning Robert Frost Rudyard Kipling scene script selection sense sentence sermon shanty boy Simon Legree SOLO sound speaker speaking speech story student syllable talk thing thou thought tion tone tongue unto Vachel Lindsay verse Vincent Millay vocal voice vowel William Rose Benét words writing York young