Oral Reading, Discussion and Principles: And an Anthology of Practice Materials from Literature, Classical and Modern |
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Page 55
... LANGUAGE AND EXPERIENCE A. Word and Thought B. Imagery C. Symbols D. Total Meaning E. Associations F. World of Words G. Words and Things II . THE REFERENT A. Three Classes of Labels 1. Names 2. Collections 3. Abstractions B. Examples of ...
... LANGUAGE AND EXPERIENCE A. Word and Thought B. Imagery C. Symbols D. Total Meaning E. Associations F. World of Words G. Words and Things II . THE REFERENT A. Three Classes of Labels 1. Names 2. Collections 3. Abstractions B. Examples of ...
Page 56
... language into eye language . In some schools children are taken to local points of interest to see for themselves what words mean . For example , a class goes to the post office and there sees a can- celing machine . Then , when the ...
... language into eye language . In some schools children are taken to local points of interest to see for themselves what words mean . For example , a class goes to the post office and there sees a can- celing machine . Then , when the ...
Page 61
... language . A. Three Classes of Labels 1. Names When we point out , or designate a definite object by a par- ticular symbol , we do not leave much room for ambiguity . When the poet or any other writer speaks of tables , or handles of ...
... language . A. Three Classes of Labels 1. Names When we point out , or designate a definite object by a par- ticular symbol , we do not leave much room for ambiguity . When the poet or any other writer speaks of tables , or handles of ...
Contents
CHAPTER PAGE | 1 |
SPEAKER | 13 |
Robert Hutchins The Test of Education | 25 |
Copyright | |
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Oral Reading: Discussion and Principles, and an Anthology of Practice ... Lionel Crocker,Louis Michael Eich No preview available - 1955 |
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actor ALFRED LORD TENNYSON American audience breath characters CHORUS common consonants course diction dictionary diphthong effect emotion English Ernie Pyle experience expression eyes feel give Gunga Din hand hear human ideas interest Jesse James John John Galsworthy language lips listeners literature living look Lord Lowell Thomas MATERIAL FOR CHAPTER meaning mind mood mouth never oral reading passage pause person pharynx phrase pitch play poem poet poetry PRACTICE MATERIAL prayer preacher problem pronunciation prose radio reader reading aloud recital rhythm Robert Browning Robert Frost Rudyard Kipling scene script selection sense sentence sermon shanty boy Simon Legree SOLO sound speaker speaking speech story student syllable talk thing thou thought tion tone tongue unto Vachel Lindsay verse Vincent Millay vocal voice vowel William Rose Benét words writing York young