Oral Reading, Discussion and Principles: And an Anthology of Practice Materials from Literature, Classical and Modern |
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Page 1
... Importance , Nature , and Function of Oral Reading I. IMPORTANCE A. The Age of Radio B. The Two Arts Unite II . NATURE A ... important it is to learn how to read aloud . Moreover , radio - educated ears , at- tuned to the smooth cadences ...
... Importance , Nature , and Function of Oral Reading I. IMPORTANCE A. The Age of Radio B. The Two Arts Unite II . NATURE A ... important it is to learn how to read aloud . Moreover , radio - educated ears , at- tuned to the smooth cadences ...
Page 54
... important phrases are voiced . The eyes are important in holding attention . Use them to full effect ; gaze directly at your audience when you wish to emphasize the importance of what you are saying . Be so well versed in your selection ...
... important phrases are voiced . The eyes are important in holding attention . Use them to full effect ; gaze directly at your audience when you wish to emphasize the importance of what you are saying . Be so well versed in your selection ...
Page 259
... important . It is important be- cause there is no such thing as repetition . Everybody tells every story in about the same way . You know perfectly well that when you and your room - mate tell something , you are telling the same story ...
... important . It is important be- cause there is no such thing as repetition . Everybody tells every story in about the same way . You know perfectly well that when you and your room - mate tell something , you are telling the same story ...
Contents
CHAPTER PAGE | 1 |
SPEAKER | 13 |
Robert Hutchins The Test of Education | 25 |
Copyright | |
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Oral Reading: Discussion and Principles, and an Anthology of Practice ... Lionel Crocker,Louis Michael Eich No preview available - 1955 |
Common terms and phrases
actor ALFRED LORD TENNYSON American audience breath characters CHORUS common consonants course diction dictionary diphthong effect emotion English Ernie Pyle experience expression eyes feel give Gunga Din hand hear human ideas interest Jesse James John John Galsworthy language lips listeners literature living look Lord Lowell Thomas MATERIAL FOR CHAPTER meaning mind mood mouth never oral reading passage pause person pharynx phrase pitch play poem poet poetry PRACTICE MATERIAL prayer preacher problem pronunciation prose radio reader reading aloud recital rhythm Robert Browning Robert Frost Rudyard Kipling scene script selection sense sentence sermon shanty boy Simon Legree SOLO sound speaker speaking speech story student syllable talk thing thou thought tion tone tongue unto Vachel Lindsay verse Vincent Millay vocal voice vowel William Rose Benét words writing York young