Oral Reading, Discussion and Principles: And an Anthology of Practice Materials from Literature, Classical and Modern |
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Page 63
... fact that we can read so much of ourselves into it . Vagueness , suggestion , that leave much to the imagination , can be as much a source of beauty as are clarity and definition . VII . PHRASAL PATTERNS The fact that passages of prose ...
... fact that we can read so much of ourselves into it . Vagueness , suggestion , that leave much to the imagination , can be as much a source of beauty as are clarity and definition . VII . PHRASAL PATTERNS The fact that passages of prose ...
Page 187
... fact , in the supposed fact ; it has attached its emotion to the fact , and now the fact is failing it . But for poetry the idea is everything ; the rest is a world of illusion , of divine il- lusion . Poetry attaches its emotion to the ...
... fact , in the supposed fact ; it has attached its emotion to the fact , and now the fact is failing it . But for poetry the idea is everything ; the rest is a world of illusion , of divine il- lusion . Poetry attaches its emotion to the ...
Page 212
... fact a standardizing influence . In the introduction to his " World Words " Professor Greet gives us more specific information regarding the standards he employs . He seems largely to rely upon the averaging of the advice of a large num ...
... fact a standardizing influence . In the introduction to his " World Words " Professor Greet gives us more specific information regarding the standards he employs . He seems largely to rely upon the averaging of the advice of a large num ...
Contents
CHAPTER PAGE | 1 |
SPEAKER | 13 |
Robert Hutchins The Test of Education | 25 |
Copyright | |
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Oral Reading: Discussion and Principles, and an Anthology of Practice ... Lionel Crocker,Louis Michael Eich No preview available - 1955 |
Common terms and phrases
actor ALFRED LORD TENNYSON American audience breath characters CHORUS common consonants course diction dictionary diphthong effect emotion English Ernie Pyle experience expression eyes feel give Gunga Din hand hear human ideas interest Jesse James John John Galsworthy language lips listeners literature living look Lord Lowell Thomas MATERIAL FOR CHAPTER meaning mind mood mouth never oral reading passage pause person pharynx phrase pitch play poem poet poetry PRACTICE MATERIAL prayer preacher problem pronunciation prose radio reader reading aloud recital rhythm Robert Browning Robert Frost Rudyard Kipling scene script selection sense sentence sermon shanty boy Simon Legree SOLO sound speaker speaking speech story student syllable talk thing thou thought tion tone tongue unto Vachel Lindsay verse Vincent Millay vocal voice vowel William Rose Benét words writing York young