Oral Reading, Discussion and Principles: And an Anthology of Practice Materials from Literature, Classical and Modern |
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Page 69
... face to face : now I know in part ; but then shall I know even as also I am known . Now consider the version of Edgar Goodspeed in his An American Translation . Say these verses aloud and note the differ- ence in rhythm : 1. If I can ...
... face to face : now I know in part ; but then shall I know even as also I am known . Now consider the version of Edgar Goodspeed in his An American Translation . Say these verses aloud and note the differ- ence in rhythm : 1. If I can ...
Page 70
... face to face . Now my knowledge is imperfect , but then I shall know as fully as God knows me . And now , in order that the shift in rhythm may be even more pointedly shown , consider this translation of Weymouth : 1. If I can speak ...
... face to face . Now my knowledge is imperfect , but then I shall know as fully as God knows me . And now , in order that the shift in rhythm may be even more pointedly shown , consider this translation of Weymouth : 1. If I can speak ...
Page 103
... face , the inert hands and body have no place in speaking and reading . Nothing could be more incongruous than to have an animated voice with an expression- less face behind it ; or to have the voice express joy or sorrow and the face ...
... face , the inert hands and body have no place in speaking and reading . Nothing could be more incongruous than to have an animated voice with an expression- less face behind it ; or to have the voice express joy or sorrow and the face ...
Contents
CHAPTER PAGE | 1 |
SPEAKER | 13 |
Robert Hutchins The Test of Education | 25 |
Copyright | |
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Oral Reading: Discussion and Principles, and an Anthology of Practice ... Lionel Crocker,Louis Michael Eich No preview available - 1955 |
Common terms and phrases
actor ALFRED LORD TENNYSON American audience breath characters CHORUS common consonants course diction dictionary diphthong effect emotion English Ernie Pyle experience expression eyes feel give Gunga Din hand hear human ideas interest Jesse James John John Galsworthy language lips listeners literature living look Lord Lowell Thomas MATERIAL FOR CHAPTER meaning mind mood mouth never oral reading passage pause person pharynx phrase pitch play poem poet poetry PRACTICE MATERIAL prayer preacher problem pronunciation prose radio reader reading aloud recital rhythm Robert Browning Robert Frost Rudyard Kipling scene script selection sense sentence sermon shanty boy Simon Legree SOLO sound speaker speaking speech story student syllable talk thing thou thought tion tone tongue unto Vachel Lindsay verse Vincent Millay vocal voice vowel William Rose Benét words writing York young