Oral Reading, Discussion and Principles: And an Anthology of Practice Materials from Literature, Classical and Modern |
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Page 14
... emotions implicit in a passage and all the outward manifestations of voice and body will take care of themselves . But ... emotion in question requires a low and heavy quality of voice ? No , the voice becomes a responsive instrument fit ...
... emotions implicit in a passage and all the outward manifestations of voice and body will take care of themselves . But ... emotion in question requires a low and heavy quality of voice ? No , the voice becomes a responsive instrument fit ...
Page 45
... emotional tones is due to lack of experience in the business of living itself , or to a lack of imagi- native ... emotion that should accompany the reading of a particular passage . To develop range of emotional feeling , practice ...
... emotional tones is due to lack of experience in the business of living itself , or to a lack of imagi- native ... emotion that should accompany the reading of a particular passage . To develop range of emotional feeling , practice ...
Page 101
... emotion demands must be communicated to the audience . Time must be given them to sound the depths of the emotion being portrayed . A strikingly dramatic instance of the emotional effect the pause can create was witnessed when the ...
... emotion demands must be communicated to the audience . Time must be given them to sound the depths of the emotion being portrayed . A strikingly dramatic instance of the emotional effect the pause can create was witnessed when the ...
Contents
CHAPTER PAGE | 1 |
SPEAKER | 13 |
Robert Hutchins The Test of Education | 25 |
Copyright | |
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Oral Reading: Discussion and Principles, and an Anthology of Practice ... Lionel Crocker,Louis Michael Eich No preview available - 1955 |
Common terms and phrases
actor ALFRED LORD TENNYSON American audience breath characters CHORUS common consonants course diction dictionary diphthong effect emotion English Ernie Pyle experience expression eyes feel give Gunga Din hand hear human ideas interest Jesse James John John Galsworthy language lips listeners literature living look Lord Lowell Thomas MATERIAL FOR CHAPTER meaning mind mood mouth never oral reading passage pause person pharynx phrase pitch play poem poet poetry PRACTICE MATERIAL prayer preacher problem pronunciation prose radio reader reading aloud recital rhythm Robert Browning Robert Frost Rudyard Kipling scene script selection sense sentence sermon shanty boy Simon Legree SOLO sound speaker speaking speech story student syllable talk thing thou thought tion tone tongue unto Vachel Lindsay verse Vincent Millay vocal voice vowel William Rose Benét words writing York young