Oral Reading, Discussion and Principles: And an Anthology of Practice Materials from Literature, Classical and Modern |
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Page 111
... characters ? How does he manage to make them clear to the reader ? Do you know any real people like them ? Do you know people like those Sinclair Lewis writes about ? Is a particular character taken from life , from indirect experience ...
... characters ? How does he manage to make them clear to the reader ? Do you know any real people like them ? Do you know people like those Sinclair Lewis writes about ? Is a particular character taken from life , from indirect experience ...
Page 132
... characters he intends to introduce to them . When shall this be done ? Some readers discuss all the characters in the story at the beginning of the recital ; others discuss each character prior to his first entrance on the scene . The ...
... characters he intends to introduce to them . When shall this be done ? Some readers discuss all the characters in the story at the beginning of the recital ; others discuss each character prior to his first entrance on the scene . The ...
Page 250
... characters by individual ways of speech . Meg Merrilies and Rob Roy both speak in Scott's novels with a vocabulary of their own ; and when characters like Nicol Jarvie and Dalgetty ran away with him , he would drop everything and run ...
... characters by individual ways of speech . Meg Merrilies and Rob Roy both speak in Scott's novels with a vocabulary of their own ; and when characters like Nicol Jarvie and Dalgetty ran away with him , he would drop everything and run ...
Contents
CHAPTER PAGE | 1 |
SPEAKER | 13 |
Robert Hutchins The Test of Education | 25 |
Copyright | |
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Oral Reading: Discussion and Principles, and an Anthology of Practice ... Lionel Crocker,Louis Michael Eich No preview available - 1955 |
Common terms and phrases
actor ALFRED LORD TENNYSON American audience breath characters CHORUS common consonants course diction dictionary diphthong effect emotion English Ernie Pyle experience expression eyes feel give Gunga Din hand hear human ideas interest Jesse James John John Galsworthy language lips listeners literature living look Lord Lowell Thomas MATERIAL FOR CHAPTER meaning mind mood mouth never oral reading passage pause person pharynx phrase pitch play poem poet poetry PRACTICE MATERIAL prayer preacher problem pronunciation prose radio reader reading aloud recital rhythm Robert Browning Robert Frost Rudyard Kipling scene script selection sense sentence sermon shanty boy Simon Legree SOLO sound speaker speaking speech story student syllable talk thing thou thought tion tone tongue unto Vachel Lindsay verse Vincent Millay vocal voice vowel William Rose Benét words writing York young