Oral Reading, Discussion and Principles: And an Anthology of Practice Materials from Literature, Classical and Modern |
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Page 128
Then begin cutting the principal scene , the climax , the scene you positively must include . Time this shortened version , cut it fur- ther , re - time , cut some more ! Then round it out and give it pro- portion by the addition of a ...
Then begin cutting the principal scene , the climax , the scene you positively must include . Time this shortened version , cut it fur- ther , re - time , cut some more ! Then round it out and give it pro- portion by the addition of a ...
Page 129
For an hour and a quarter recital of The Merchant of Venice , one might use the following scenes , allowing ten minutes extra for introductions , descriptions of characters ... The court scene , to the exit of Shylock . e .
For an hour and a quarter recital of The Merchant of Venice , one might use the following scenes , allowing ten minutes extra for introductions , descriptions of characters ... The court scene , to the exit of Shylock . e .
Page 478
APPENDIX VIII Suggested Cuttings from Shakespeare ULYSSES ON THE GRECIAN FAILURE Troilus and Cressida , Act I , Scene ULYSSES ON MAN'S FORGETFULNESS Troilus and Cressida , Act III. MARK ANTONY'S ORATION · SPEECH OF BRUTUS IN THE FORUM ...
APPENDIX VIII Suggested Cuttings from Shakespeare ULYSSES ON THE GRECIAN FAILURE Troilus and Cressida , Act I , Scene ULYSSES ON MAN'S FORGETFULNESS Troilus and Cressida , Act III. MARK ANTONY'S ORATION · SPEECH OF BRUTUS IN THE FORUM ...
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Oral Reading: Discussion and Principles, and an Anthology of Practice ... Lionel Crocker,Louis Michael Eich No preview available - 1955 |
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