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SCENE VII.

Another Room in the same.

Enter King and LAERTES.

King. Now must your conscience my acquittance seal, And you must put me in your heart for friend; Sith you have heard, and with a knowing ear, That he, which hath your noble father slain, Pursu'd my life.

Laer.

It well appears:-But tell me,
Why you proceeded not against these feats,
So crimeful and so capital in nature,

As by your safety, greatness, wisdom, all things else,
Your mainly were stirr❜d up.

King. O, for two special reasons; Which may to you, perhaps, seem much unsinew'd, But yet to me they are strong. The queen, his mother, Lives almost by his looks; and for my

self,

(My virtue, or my plague, be it either which,)

She is so conjunctive to my life and soul,
That, as the star moves not but in his sphere,
I could not but by her. The other motive,
Why to a publick count I might not go,
Is, the great love the general gender bear him:
Who, dipping all his faults in their affection,
Work like the spring? that turneth wood to stone,

8

· the general gender —] The common race of the people. Johnson.

9 Work like the spring &c.] This simile is neither very seasonable in the deep interest of this conversation, nor very accurately applied. If the spring had changed base metals to gold, the thought had been more proper. Johnson.

The folio, instead of-work, reads-would.

The same comparison occurs in Churchyard's Choice:

"So there is wood that water turns to stones."

In Thomas Lupton's Third Book of Notable Thinges, 4to. bl. 1. there is also mention of "a well, that whatsoever is throwne into the same, is turned into a stone.”

This, however, we learn from Ovid, is no modern supposition: "Flumen habent Cicones, quod potum saxea reddit

"Viscera, quod tactis inducit marmora rebus."

See also, Hackluyt, Vol. I, p. 565.

Steevens.

The allusion here is to the qualities still ascribed to the drop. ing well at Knaresborough in Yorkshire. Camden (edit. 1590, p.

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Convert his gyves to graces; so that my arrows,
Too slightly timber'd for so loud a wind,1
Would have reverted to my bow again,
And not where I had aim'd them.

Laer. And so have I a noble father lost;
A sister driven into desperate terms;
Whose worth, if praises may go back again,2
Stood challenger on mount of all the age

For her perfections:-But my revenge will come.
King. Break not your sleeps for that: you must not
think,

That we are made of stuff so flat and dull,

That we can let our beard be shook with danger,3
And think it pastime. You shortly shall hear more:
I loved your father, and we love ourself;

And that, I hope, will teach you to imagine,-
How now? what news?4

Mess.

Enter a Messenger.

Letters, my lord, from Hamlet:5

This to your majesty; this to the queen.

564,) thus mentions it: "Sub quo fons est in quem ex impendentibus rupibus aquæ guttatim distillant, unde DROPPING WELL, Vocant, in quem quicquid ligni immittitur, lapideo cortice brevi obduci & lapidescere observatum est.”

Reed.

1 - for so loud a wind,] Thus the folio. The quarto, 1604, reads-for so loued arm'd. If these words have any meaning, it should seem to be-The instrument of offence I employ, would have proved too weak to injure one who is so loved and arm'd by the affection of the people. Their love, like armour, would revert the arrow to the bow.

The reading in the text, however, is supported in Acham's Toxophilus, edit. 1589, p. 57: “ Weake bowes and lighte shaftes cannot stand in a rough winde." Steevens.

Loued arm'd is as extraordinary a corruption as any that is found in these plays. Malone.

2 if praises may go back again,] If I may praise what has been, but is now to be found no more, Johnson.

3 That we can let our beard be shook with danger,] It is won derful that none of the advocates for the learning of Shakspeare have told us that this line is imitated from Persius, Sat. ii: "Idcirco stolidam præbet tibi vellere barbam "Jupiter?" Steevens.

4 How now? &c.] Omitted in the quartos. Theobald. $ Letters, &c.] Omitted in the quartos. Steevens,

King. From Hamlet! who brought them?

Mess. Sailors, my lord, they say: I saw them not; They were given me by Claudio, he receiv'd them Of him that brought them.6

King. Leave us.

Laertes, you shall hear them:[Exit Mess. [Reads.] High and mighty, you shall know, I am set naked on your kingdom. To-morrow shall I beg leave to see your kingly eyes: when I shall, first asking your pardon thereunto, recount the occasion of my sudden and more strange return. Hamlet. What should this mean? Are all the rest come back? Or is it some abuse, and no such thing?

Laer. Know you the hand?

King.

'Tis Hamlet's character. Naked,

And, in a postscript here, he says, alone:

Can you advise me?

Laer. I am lost in it, my lord. But let him come;

It warms the very sickness in my heart,

That I shall live and tell him to his teeth,

Thus diddest thou.

King.

If it be so, Laertes,

As how should it be so?-how otherwise?-
Will you be rul'd by me?

Laer.

Ay, my lord;

So you will not o'er-rule me to a peace.

King. To thine own peace. If he be now return'd,

As checking at his voyage,' and that he means

No more to undertake it,-I will work him

To an exploit, now ripe in my device,

Under the which he shall not choose but fall:

• Of him that brought them.] I have restored this hemistich from the quartos. Steevens.

66

As checking at his voyage,] The phrase is from falconry; and may be justified from the following passage in Hinde's Eliosto Libidinoso, 1606: For who knows not, quoth she, that this hawk, which comes now so fair to the fist, may to-morrow check at the lure ?"

Again, in G. Whetstone's Castle of Delight, 1576:

"But as the hawke, to gad which knowes the way,

"Will hardly leve to checke at carren crowes," &c. Steevens. As checking at his voyage,] Thus the folio. The quarto, 1604, exhibits a corruption similar to that mentioned in n. 1, in the preceding page. It reads:-As the king at his voyage. Malone.

And for his death no wind of blame shall breathe;
But even his mother shall uncharge the practice,
And call it, accident.

Laer.8

My lord, I will be rul'd;
The rather, if you could devise it so,
That I might be the organ.

King.

It falls right.

You have been talk'd of since your travel much,
And that in Hamlet's hearing, for a quality
Wherein, they say, you shine: your sum of parts
Did not together pluck such envy from him,
As did that one; and that, in my regard,
Of the unworthiest siege."

Laer.

What part is that, my lord?

King. A very ribband in the cap of youth,
Yet needful too; for youth no less becomes
The light and careless livery that it wears,
Than settled age his sables, and his weeds,
Importing health and graveness. Two months since,
Here was a gentleman of Normandy,

I have seen myself, and serv'd against, the French,
And they can well on horseback: but this gallant
Had witchcraft in 't; he grew unto his seat;
And to such wond'rous doing brought his horse,
As he had been incorps'd and demi-natur'd
With the brave beast:2 so far he topp'd my thought,

8 Laer, &c.] The next sixteen lines are omitted in the folio.

Steevens.

9 Of the unworthiest siege.] Of the lowest rank. Siege, for seat, place. Johnson. So, in Othello:

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"From men of royal siege." Steevens.

1 Importing health and graveness.] Importing here may be, not inferring by logical consequence, but producing by physical effect. A young man regards show in his dress, an old man, health.

Johnson. Importing health, I apprehend, means, denoting an attention to health. Malone.

Importing may only signify-implying, denoting. So, in King Henry VI, P. I:

"Comets, importing change of times and states." Mr. Malone's explanation, however, may be the true one. Steevens. 2 As he had been incorps'd and demi-natur'd

With the brave, beast] This is from Sidney's Arcadia, B. II:

That I, in forgery of shapes and tricks,3

Come short of what he did.

Laer.

King. A Norman.

A Norman, was 't?

The very same.

Laer. Upon my life, Lamord.4

King.

Laer. I know him well: he is the brooch, indeed, And gem of all the nation.

King. He made confession of you; And gave you such a masterly report, For art and exercise in your defence, And for your rapier most especial,

That he cried out, 'twould be a sight indeed,

If one could match you: the scrimers of their nation,
He swore, had neither motion, guard, nor eye,

If you oppos'd them: Sir, this report of his
Did Hamlet so envenom with his envy,
That he could nothing do, but wish and beg
Your sudden coming o'er, to play with you.
Now, out of this,

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Laer.

What out of this, my lord?
King. Laertes, was your father dear to you?
Or are you like the painting of a sorrow,
A face without a heart?

Laer.

Why ask you this?

King. Not that I think, you did not love your father; But that I know, love is begun by time;7

"As if, Centaur-like, he had been one peece with the horse." Steevens.

3 in forgery of shapes and tricks,] I could not contrive so many proofs of dexterity as he could perform. Johnson.

4 Lamord.] Thus the quarto, 1604. Shakspeare, I suspect, wrote Lamode. See the next speech but one. The folio has Lamound. Malone.

5

in your defence,] That is, in the science of defence.

6 the scrimers-] The fencers. Johnson.

From escrimeur, Fr. a fencer. Malone.

Johnson.

This unfavourable description of the French swordsmen is not

in the folio. Steevens.

7 love is begun by time;] This is obscure. The meaning may be, love is not innate in us, and co-essential to our nature, but begins at a certain time from some external cause, and eing always subject to the operations of time, suffers change and di. minution. Johnson.

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