Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Volume 40Gale Research Company, 1984 |
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Page 41
... tion from woman can make a man whole , able both to feel and to fight , to be a father and to be valiant , as Macduff is.20 The sources of his sexual confusion are the witches , who direct their mischief toward him , and Lady Macbeth ...
... tion from woman can make a man whole , able both to feel and to fight , to be a father and to be valiant , as Macduff is.20 The sources of his sexual confusion are the witches , who direct their mischief toward him , and Lady Macbeth ...
Page 166
... tion will appear in the text . 29 John Russell Brown , ed . , The Merchant of Venice , 121n . 30 Joan Landis , " By Two - headed Janus ' : Double Dis- course in The Merchant of Venice , " conference paper ( Shakespeare Association of ...
... tion will appear in the text . 29 John Russell Brown , ed . , The Merchant of Venice , 121n . 30 Joan Landis , " By Two - headed Janus ' : Double Dis- course in The Merchant of Venice , " conference paper ( Shakespeare Association of ...
Page 307
... tion ( a sonnet of three separate quatrains and a closing couplet ) . The themes Shakespeare approaches - time , death and , above all , the complications and ambigu- ities of human relationships - developed some of the more realistic ...
... tion ( a sonnet of three separate quatrains and a closing couplet ) . The themes Shakespeare approaches - time , death and , above all , the complications and ambigu- ities of human relationships - developed some of the more realistic ...
Contents
Gender Identity | 1 |
The Merchant of Venice | 105 |
Sonnets | 220 |
Copyright | |
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action actor Antonio appears argues audience Bassanio become begins bond calls castration characters choice Christian circumcision claims Cleopatra comedies comic conventional course critics daughter death describes desire discussion disguise Elizabethan essay example exchange father fear feel female feminine figure final flesh gender give hand heart hero heroines human husband identity interest John kind Lady less lines live London look lover Macbeth male marriage masculine means Merchant of Venice moral mother nature never offers person play plot poems political Portia possible present Press reading refer relations relationship rhetorical ring role Rosalind says scene seems sense sexual Shake Shakespeare Shylock social sonnets speak speech spirit stage suggests tell thing thou tion tragedy true turn University wife woman women York young