Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Volume 40Gale Research Company, 1984 |
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Page 288
... thou mayst in me behold When yellow leaves , or none , or few , do hang Upon those boughs which shake against the cold , Bare ruin'd choirs where late the sweet birds sang . In me thou see'st the twilight of such day As after sunset ...
... thou mayst in me behold When yellow leaves , or none , or few , do hang Upon those boughs which shake against the cold , Bare ruin'd choirs where late the sweet birds sang . In me thou see'st the twilight of such day As after sunset ...
Page 303
... thou art too dear for my possessing , And like enough thou know'st thy estimate , The charter of thy worth gives thee releasing ; My bonds in thee are all determinate . For how do I hold thee but by thy granting , And for that riches ...
... thou art too dear for my possessing , And like enough thou know'st thy estimate , The charter of thy worth gives thee releasing ; My bonds in thee are all determinate . For how do I hold thee but by thy granting , And for that riches ...
Page 307
... thou , " and with it , a series of dramatic encoun- ters . Yet , ironically , as " Farewell ! thou art too dear " itself suggests , this new emphasis often allows Shake- speare to weave into his treasonous sonnet writing a quality of ...
... thou , " and with it , a series of dramatic encoun- ters . Yet , ironically , as " Farewell ! thou art too dear " itself suggests , this new emphasis often allows Shake- speare to weave into his treasonous sonnet writing a quality of ...
Contents
Gender Identity | 1 |
The Merchant of Venice | 105 |
Sonnets | 220 |
Copyright | |
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action actor Antonio appears argues audience Bassanio become begins bond calls castration characters choice Christian circumcision claims Cleopatra comedies comic conventional course critics daughter death describes desire discussion disguise Elizabethan essay example exchange father fear feel female feminine figure final flesh gender give hand heart hero heroines human husband identity interest John kind Lady less lines live London look lover Macbeth male marriage masculine means Merchant of Venice moral mother nature never offers person play plot poems political Portia possible present Press reading refer relations relationship rhetorical ring role Rosalind says scene seems sense sexual Shake Shakespeare Shylock social sonnets speak speech spirit stage suggests tell thing thou tion tragedy true turn University wife woman women York young