Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Volume 40Gale Research Company, 1984 |
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Page 111
... spirit of emulation which sways his choice : ' Who chooseth me shall gain what many men desire ' . Why , that's the lady ! All the world desires her : From the four corners of the earth they come To kiss this shrine , this mortal ...
... spirit of emulation which sways his choice : ' Who chooseth me shall gain what many men desire ' . Why , that's the lady ! All the world desires her : From the four corners of the earth they come To kiss this shrine , this mortal ...
Page 140
... spirit and the trading ( bourgeois ) spirit ( pp . 79-82 ) . But Nerlich does not consider the possibility that Shylock represents Puritanism . 22 Max Weber , The Protestant Ethic and the Spirit of Capitalism , trans . Talcott Parsons ...
... spirit and the trading ( bourgeois ) spirit ( pp . 79-82 ) . But Nerlich does not consider the possibility that Shylock represents Puritanism . 22 Max Weber , The Protestant Ethic and the Spirit of Capitalism , trans . Talcott Parsons ...
Page 256
... spirit solic- iting at one side and the poet , dumbstruck but hoping for the best , at the other . Presumably the elided final tableau that the worser spirit is supposed to have in mind would be conclusively asymmetrical : good angel ...
... spirit solic- iting at one side and the poet , dumbstruck but hoping for the best , at the other . Presumably the elided final tableau that the worser spirit is supposed to have in mind would be conclusively asymmetrical : good angel ...
Contents
Gender Identity | 1 |
The Merchant of Venice | 105 |
Sonnets | 220 |
Copyright | |
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action actor Antonio appears argues audience Bassanio become begins bond calls castration characters choice Christian circumcision claims Cleopatra comedies comic conventional course critics daughter death describes desire discussion disguise Elizabethan essay example exchange father fear feel female feminine figure final flesh gender give hand heart hero heroines human husband identity interest John kind Lady less lines live London look lover Macbeth male marriage masculine means Merchant of Venice moral mother nature never offers person play plot poems political Portia possible present Press reading refer relations relationship rhetorical ring role Rosalind says scene seems sense sexual Shake Shakespeare Shylock social sonnets speak speech spirit stage suggests tell thing thou tion tragedy true turn University wife woman women York young