Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Volume 40Gale Research Company, 1984 |
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Page v
... Exchange Further Reading Sonnets Introduction Overviews ..... Gender Identity ..... Language and Imagery Further Reading ... 105 106 142 ... 166 197 ... 219 220 ... 221 ... 247 ... 284 309 ... 312 312 ... 327 ... 335 354 374 388.
... Exchange Further Reading Sonnets Introduction Overviews ..... Gender Identity ..... Language and Imagery Further Reading ... 105 106 142 ... 166 197 ... 219 220 ... 221 ... 247 ... 284 309 ... 312 312 ... 327 ... 335 354 374 388.
Page 142
... Reading of The Merchant of Venice , " in Literature and Society ( Selected Papers from the English Institute , 1978 ) , ed . Edward W. Said ( Baltimore , 1980 ) , pp . 100-19 . Girard actually does claim that " an infinite number of ...
... Reading of The Merchant of Venice , " in Literature and Society ( Selected Papers from the English Institute , 1978 ) , ed . Edward W. Said ( Baltimore , 1980 ) , pp . 100-19 . Girard actually does claim that " an infinite number of ...
Page 268
... reading , one will be glad to keep distant in one's memory if one wants to enjoy the sonnets themselves - which also , by their sustained rhetoric , distance the very topics that Pequigney wants to lift into the foreground . " 8 Quoted ...
... reading , one will be glad to keep distant in one's memory if one wants to enjoy the sonnets themselves - which also , by their sustained rhetoric , distance the very topics that Pequigney wants to lift into the foreground . " 8 Quoted ...
Contents
Gender Identity | 1 |
The Merchant of Venice | 105 |
Sonnets | 220 |
Copyright | |
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action actor Antonio appears argues audience Bassanio become begins bond calls castration characters choice Christian circumcision claims Cleopatra comedies comic conventional course critics daughter death describes desire discussion disguise Elizabethan essay example exchange father fear feel female feminine figure final flesh gender give hand heart hero heroines human husband identity interest John kind Lady less lines live London look lover Macbeth male marriage masculine means Merchant of Venice moral mother nature never offers person play plot poems political Portia possible present Press reading refer relations relationship rhetorical ring role Rosalind says scene seems sense sexual Shake Shakespeare Shylock social sonnets speak speech spirit stage suggests tell thing thou tion tragedy true turn University wife woman women York young