Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Volume 40Gale Research Company, 1984 |
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Page 186
... heart.36 Or partially solved . Why , one wonders , is Antonio's breast the spot most pleasing to Shylock ? And why , for the sake of accuracy , wouldn't Shylock cut out rather than " cut off " a pound of flesh if it were to come from ...
... heart.36 Or partially solved . Why , one wonders , is Antonio's breast the spot most pleasing to Shylock ? And why , for the sake of accuracy , wouldn't Shylock cut out rather than " cut off " a pound of flesh if it were to come from ...
Page 188
... heart . " Seeing how struck Harrington is by this revelation , Mr. Montenero mag- nanimously offers that " perhaps his was only the Jew- ish version of the story , and he quickly went on to another subject . " Edgeworth adds her own ...
... heart . " Seeing how struck Harrington is by this revelation , Mr. Montenero mag- nanimously offers that " perhaps his was only the Jew- ish version of the story , and he quickly went on to another subject . " Edgeworth adds her own ...
Page 189
... heart , " and " The Lord thy God will cir- cumcise thine heart . " Mornay , in Sidney's transla- tion , also notes that when the Old Testament prophets " rebuke us , they call us not simply uncircumcised , but uncircumcised of heart or ...
... heart , " and " The Lord thy God will cir- cumcise thine heart . " Mornay , in Sidney's transla- tion , also notes that when the Old Testament prophets " rebuke us , they call us not simply uncircumcised , but uncircumcised of heart or ...
Contents
Gender Identity | 1 |
The Merchant of Venice | 105 |
Sonnets | 220 |
Copyright | |
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action actor Antonio appears argues audience Bassanio become begins bond calls castration characters choice Christian circumcision claims Cleopatra comedies comic conventional course critics daughter death describes desire discussion disguise Elizabethan essay example exchange father fear feel female feminine figure final flesh gender give hand heart hero heroines human husband identity interest John kind Lady less lines live London look lover Macbeth male marriage masculine means Merchant of Venice moral mother nature never offers person play plot poems political Portia possible present Press reading refer relations relationship rhetorical ring role Rosalind says scene seems sense sexual Shake Shakespeare Shylock social sonnets speak speech spirit stage suggests tell thing thou tion tragedy true turn University wife woman women York young