Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Volume 40Gale Research Company, 1984 |
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... Shakespeare . University of California Press , 1981. University of California Press . Reproduced by permission of the publisher and the author . - Kahn , Coppelia . From " The Cuckoo's Note : Male Friendship and Cuckoldry in ' The ...
... Shakespeare . University of California Press , 1981. University of California Press . Reproduced by permission of the publisher and the author . - Kahn , Coppelia . From " The Cuckoo's Note : Male Friendship and Cuckoldry in ' The ...
Page 87
... Shakespeare's Antony and Cleopatra ( Sydney : Uni- versity of Australia Press , 1968 ) , pp . 101-15 ; and Pe- ter Erickson , " Antony and Cleopatra as an Experiment in Alternative Masculinity , " in Patriarchal Structures in Shakespeare's ...
... Shakespeare's Antony and Cleopatra ( Sydney : Uni- versity of Australia Press , 1968 ) , pp . 101-15 ; and Pe- ter Erickson , " Antony and Cleopatra as an Experiment in Alternative Masculinity , " in Patriarchal Structures in Shakespeare's ...
Page 266
... Shakespeare's . Since the eigh- teenth century , if not before , the homoerotic images in certain of Shakespeare's sonnets have seemed an em- barrassment , something that needs to be explained away . " It is impossible to read this ...
... Shakespeare's . Since the eigh- teenth century , if not before , the homoerotic images in certain of Shakespeare's sonnets have seemed an em- barrassment , something that needs to be explained away . " It is impossible to read this ...
Contents
Gender Identity | 1 |
The Merchant of Venice | 105 |
Sonnets | 220 |
Copyright | |
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action actor Antonio appears argues audience Bassanio become begins bond calls castration characters choice Christian circumcision claims Cleopatra comedies comic conventional course critics daughter death describes desire discussion disguise Elizabethan essay example exchange father fear feel female feminine figure final flesh gender give hand heart hero heroines human husband identity interest John kind Lady less lines live London look lover Macbeth male marriage masculine means Merchant of Venice moral mother nature never offers person play plot poems political Portia possible present Press reading refer relations relationship rhetorical ring role Rosalind says scene seems sense sexual Shake Shakespeare Shylock social sonnets speak speech spirit stage suggests tell thing thou tion tragedy true turn University wife woman women York young