Love, and all that jazzIn Love, and all that jazz, Laurie Lewis again shines the clear light of memory on a time of glorious beginnings and hard consequences. At the end of her previous memoir, Little Comrades, it's the year 1952 and the young Laurie is newly married in New York City. But everything is about to change. Laurie jumps into a wonderfully happy new life with the brilliant, Manhattan-cool, and dangerously charming Gary Lewis. Gary's idealism and longing for poetry in art, life and love are inseparable from his passionate attachment to the jazz scene. It is the time of Miles Davis, Thelonious Monk and Zoot Sims, among others. Gary's days and nights become a sleepless, drug-and-alcohol-fuelled, nonstop celebration. Laurie is soon forced to run, escaping back to Canada with her child. Laurie, now a single mother and creating a new life for herself in publishing, discovers the freedom and peace of mind that self-reliance can bring. Love, and all that jazz, can bring defeat. A declaration of independence, on the other hand, can build an exhilarating new existence. It may mean that love can persevere. |
Contents
Conjuring Ira I | 11 |
The sunny side of the street | 24 |
Admitting impediments 3 I | 37 |
Miles ahead | 50 |
On the street of dreams | 61 |
Manhattan melody 6 5 | 79 |
IO And Lassie comes on Sunday | 87 |
Afternoon with Henry Allen 10 I | 101 |
And my sugar melted away 1 66 | 166 |
Saying yes saying no | 175 |
Love it or leave it | 179 |
Tipping point 1 84 | 184 |
Seeing is believing 1 88 | 188 |
Summertime | 195 |
Thinking about change | 200 |
Beginning to see the light 2 10 | 210 |
I3 Wishing on the moon | 108 |
PART | 139 |
Little girl blue 14 1 | 141 |
DoublenightSingleday | 148 |
The night we called it a day | 158 |
Come rain or come shine 2 1 1 | 211 |
Taking a chance on love 2 14 | 214 |
Improvisation 2 19 | 219 |