Information Theory and Esthetic Perception |
From inside the book
Results 1-3 of 17
Page 62
... organization . Hence , absence of structure or internal organization is connected with too large a flow of information . In fact , the absence of struc- ture , of apparent organization , is equivalent to too large a rate of original ...
... organization . Hence , absence of structure or internal organization is connected with too large a flow of information . In fact , the absence of struc- ture , of apparent organization , is equivalent to too large a rate of original ...
Page 82
... organization ( periodicity , rhythm ) ; now we look for it in material organization . If the sonic material of white noise is formless , what is the minimum " personality " it must have to assume an identity ? What is the minimum of ...
... organization ( periodicity , rhythm ) ; now we look for it in material organization . If the sonic material of white noise is formless , what is the minimum " personality " it must have to assume an identity ? What is the minimum of ...
Page 112
... organization of symbols on an absolutely general basis . I. Harmonic laws . Harmonic laws determine the organization of symbols from elements and the restrictions in principle which gov- ern their combinations ( Fig . IV - 4 ) . First ...
... organization of symbols on an absolutely general basis . I. Harmonic laws . Harmonic laws determine the organization of symbols from elements and the restrictions in principle which gov- ern their combinations ( Fig . IV - 4 ) . First ...
Other editions - View all
Common terms and phrases
analogous animated cartoons apperceptual limit apprehension approximately autocorrelation banal binary logarithm capacity cells cent channel Chap complexity composed concept Concerto considered defined determine difference thresholds dimensions duration elementary elements equiprobable essential esthetic information esthetic message example experimental experimental music experiments frequency function harmonic hence human receptor individual information theory instruments intelligibility interest interval inversion language laws length letters log2 logical magnetic tape mation maximum measure mechanism melodic memory mental psychology method multiple messages musical message musical theory n-gram orchestra organization originality over-all perceive perception periodicity phenomenon phonetic pitch precisely present priori probabilities psychology receptor redundancy repertoire of symbols repetition rhythm role rules scanning semantic and esthetic semantic information sensory signal sonic material sonic message sonic objects sound spatial speech statistical structure Symphony theory of form timbres tion tone transients transmission transmitted uncertainty principle variations viewpoint white noise