Information Theory and Esthetic Perception |
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Page 14
... individual . Subsequently it has expanded greatly , as much in spirit as in the scope of what it can explain , and little by little it has become identified with a deterministic theory of being . Its basic hypotheses remain fundamental ...
... individual . Subsequently it has expanded greatly , as much in spirit as in the scope of what it can explain , and little by little it has become identified with a deterministic theory of being . Its basic hypotheses remain fundamental ...
Page 157
Abraham A. Moles. individual receptor ( Chap . II , Sec . 2 ) may be expressed thus : The individual [ page 161 ] receptor has a limited capacity Ho for the apprehension of information ( originality ) . This limiting capacity is not ...
Abraham A. Moles. individual receptor ( Chap . II , Sec . 2 ) may be expressed thus : The individual [ page 161 ] receptor has a limited capacity Ho for the apprehension of information ( originality ) . This limiting capacity is not ...
Page 165
... individual knows the meaning , and thus the content , of the symbol " ( that is , the title of the symphony ) . In- deed , without serious restrictions , one cannot liken the individual to a machine provided with memory . Human " memory ...
... individual knows the meaning , and thus the content , of the symbol " ( that is , the title of the symphony ) . In- deed , without serious restrictions , one cannot liken the individual to a machine provided with memory . Human " memory ...
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analogous animated cartoons apperceptual limit apprehension approximately autocorrelation banal binary logarithm capacity cells cent channel Chap complexity composed concept Concerto considered defined determine difference thresholds dimensions duration elementary elements equiprobable essential esthetic information esthetic message example experimental experimental music experiments frequency function harmonic hence human receptor individual information theory instruments intelligibility interest interval inversion language laws length letters log2 logical magnetic tape mation maximum measure mechanism melodic memory mental psychology method multiple messages musical message musical theory n-gram orchestra organization originality over-all perceive perception periodicity phenomenon phonetic pitch precisely present priori probabilities psychology receptor redundancy repertoire of symbols repetition rhythm role rules scanning semantic and esthetic semantic information sensory signal sonic material sonic message sonic objects sound spatial speech statistical structure Symphony theory of form timbres tion tone transients transmission transmitted uncertainty principle variations viewpoint white noise