Information Theory and Esthetic Perception |
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Page 14
... channel : transformation and emission of Reception room Loudspeaker Amplifiers Fifth spatial channel : reception Emission preamplifier W Antenna Broadcast High frequency amplifier ค Audio frequency amplifier OL Real auditors Receiver 16 ...
... channel : transformation and emission of Reception room Loudspeaker Amplifiers Fifth spatial channel : reception Emission preamplifier W Antenna Broadcast High frequency amplifier ค Audio frequency amplifier OL Real auditors Receiver 16 ...
Page 18
... channel can transmit them quickly enough , that is , if it has a sufficient " frequency width " ( bandwidth ) . In the limit , any message whatever , no matter how complex , can be transmitted by any type of channel if the channel has a ...
... channel can transmit them quickly enough , that is , if it has a sufficient " frequency width " ( bandwidth ) . In the limit , any message whatever , no matter how complex , can be transmitted by any type of channel if the channel has a ...
Page 50
... channel and , second , the channel to man at the other end . But this coding is not always practiced . In the telephone or in normal radio broadcasting , the adopted code purely and simply transcribes into another field of variables ...
... channel and , second , the channel to man at the other end . But this coding is not always practiced . In the telephone or in normal radio broadcasting , the adopted code purely and simply transcribes into another field of variables ...
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analogous animated cartoons apperceptual limit apprehension approximately autocorrelation banal binary logarithm capacity cells cent channel Chap complexity composed concept Concerto considered defined determine difference thresholds dimensions duration elementary elements equiprobable essential esthetic information esthetic message example experimental experimental music experiments frequency function harmonic hence human receptor individual information theory instruments intelligibility interest interval inversion language laws length letters log2 logical magnetic tape mation maximum measure mechanism melodic memory mental psychology method multiple messages musical message musical theory n-gram orchestra organization originality over-all perceive perception periodicity phenomenon phonetic pitch precisely present priori probabilities psychology receptor redundancy repertoire of symbols repetition rhythm role rules scanning semantic and esthetic semantic information sensory signal sonic material sonic message sonic objects sound spatial speech statistical structure Symphony theory of form timbres tion tone transients transmission transmitted uncertainty principle variations viewpoint white noise