Visuality and Identity: Sinophone Articulations across the PacificShu-mei Shih inaugurates the field of Sinophone studies in this vanguard excursion into sophisticated cultural criticism situated at the intersections of Chinese studies, Asian American studies, diaspora studies, and transnational studies. Arguing that the visual has become the primary means of mediating identities under global capitalism, Shih examines the production and circulation of images across what she terms the "Sinophone Pacific," which comprises Sinitic-language speaking communities such as the People's Republic of China, Taiwan, Hong Kong, and Chinese America. This groundbreaking work argues that the dispersal of the so-called Chinese peoples across the world needs to be reconceptualized in terms of vibrant or vanishing communities of Sinitic-language cultures rather than of ethnicity and nationality. |
Contents
1 | |
1 Globalization and Minoritization | 40 |
2 A Feminist Transnationality | 62 |
3 The Geopolitics of Desire | 86 |
4 The Incredible Heaviness of Ambiguity | 117 |
5 After National Allegory | 140 |
6 Cosmopolitanism among Empires | 165 |
The Time and Place of the Sinophone | 183 |
Other editions - View all
Visuality and Identity: Sinophone Articulations Across the Pacific Shumei Shi No preview available - 2007 |
Common terms and phrases
ambiguity Ang Lee artist Asian American authentic become Bernice Steinbaum Gallery biutse capitalist century Chinese American Chinese culture Chinese diaspora Chinese women colonial construction contemporary context cosmopolitanism critical critique dalu dalumei discourse domination economic empire ethnic feminism feminist film flexible Fruit Chan gaze gender geopolitical global capitalism Greater China Guomindang Hanyu hence Hong Kong cultural Hong Kongers Hung Liu identity politics ideological images imaginary immigrants imperial Kong’s language Lee’s linguistic Liu’s logic mainland mainland China Maoist means metropolitan Minnan Minnesota Press minoritization minority Modern movie multiculturalism multiple narrative nation-state national allegory nationalist native nese nostalgia paintings patriarchy photograph postcolonial postmodern prostitutes public sphere relationship representation resistance sense Sinophone Sinophone culture studies Taipei Taiwan and Hong Taiwanese cultural temporal theory Third World threat tion tional trans transnational transnationality United University Press visual culture Western woman Wu Mali York Zhongguo