The Reel Shakespeare: Alternative Cinema and TheoryLisa S. Starks, Courtney Lehmann This collection models an approach to Shakespeare and cinema that is concerned with the other side of Shakespeare's Hollywood celebrity, taking the reader on a practical and theoretical tour through important, non-mainstream films and the oppositional messages they convey. The collection includes essays on early silent adaptations of 'Hamlet', Greenway's 'Prospero's Books', Godard's 'King Lear', Hall's 'A Midsummer Night's Dream', Taymor's 'Titus', Polanski's 'Macbeth', Welles 'Chimes at Midnight', and Van Sant's 'My Own Private Idaho'. |
From inside the book
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Page 10
... audiences , became the do- main of cinematic representation . Enter Shakespeare , whose plays had al- ready been intricately woven into virtually every fabric of European and American culture . Indeed , it would be difficult to talk ...
... audiences , became the do- main of cinematic representation . Enter Shakespeare , whose plays had al- ready been intricately woven into virtually every fabric of European and American culture . Indeed , it would be difficult to talk ...
Page 12
... audiences became more distanced than ever from the work of alternative or art cinema . Another blow to the relative autonomy of art house film came from the increasing difficulty of sustaining the notion of cinema as art in the mod ...
... audiences became more distanced than ever from the work of alternative or art cinema . Another blow to the relative autonomy of art house film came from the increasing difficulty of sustaining the notion of cinema as art in the mod ...
Page 13
... audiences , Hollywood studios have begun to take on the distribution of film - festival " hits . " Consequently , as more independent filmmakers strive to succeed on Hollywood's terms , the cat- egory of the " independent film " itself ...
... audiences , Hollywood studios have begun to take on the distribution of film - festival " hits . " Consequently , as more independent filmmakers strive to succeed on Hollywood's terms , the cat- egory of the " independent film " itself ...
Page 15
... audiences , Vitagraph never released a Hamlet film , which was then considered to be the " embodiment of genteel manners and rarified thought . " As Rothwell observes , " Hamlet was only a play , but the Idea of Hamlet veered toward the ...
... audiences , Vitagraph never released a Hamlet film , which was then considered to be the " embodiment of genteel manners and rarified thought . " As Rothwell observes , " Hamlet was only a play , but the Idea of Hamlet veered toward the ...
Page 26
... audiences because he was thought of as the embodiment of genteel manners and rarified thought , of indeed what the French under the influence of Jules Laforgue and others came to call Hamletism , a code for the " enigma of us all ...
... audiences because he was thought of as the embodiment of genteel manners and rarified thought , of indeed what the French under the influence of Jules Laforgue and others came to call Hamletism , a code for the " enigma of us all ...
Contents
25 | |
43 | |
Voice and Gaze in JeanLuc Godards π²πππ π³πππ | 59 |
The Incorporation of Word as Image in Peter Greenaways π·ππππππππ π©ππππ | 95 |
Powers of Horror in Julie Taymors πππππ | 121 |
Mediating Witchcraft in Polanski and Shakespeare | 143 |
Orson Welless πͺπππππ ππ π΄ππ
πππππ and Gus Van Sants π΄π πΆππ π·ππππππ π°π
πππ | 165 |
Close Encounters in the Shakespearean Classroom | 191 |
Teaching against Shakespeares Author Function | 212 |
A Selective Bibliography of Criticism | 229 |
Notes on Contributors | 288 |
Index | 291 |
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The Reel Shakespeare: Alternative Cinema and Theory Lisa S. Starks,Courtney Lehmann No preview available - 2002 |
Common terms and phrases
abject audience author function body Branagh's Henry Burt Cambridge camera characters Chimes at Midnight cinema Classroom close-up Cordelia Coursen critics cultural death desire Donaldson Early Modern edited Falstaff Falstaff's tavern Film and Television Film Newsletter film's gender Godard Greenaway Greenaway's grotesque Hall's Hamlet hear History Hollywood homoerotic homosexuality horror film hysteria hysterical Iago's Ibid Julie Taymor Kenneth Branagh Kenneth Branagh's King Lear Learo Literature/Film Quarterly London Macbeth male Manson Midsummer Night's Dream mirror monstrous-feminine movie murders narrative Oberon Oliver Parker Olivier Orson Othello Performance Peter Petruchio Pluggy's Polanski's Macbeth popular Princeton Private Idaho production Prospero's Books Psychoanalysis reality Renaissance representation Rothwell Routledge scene Sellars sexual Shakespeare Bulletin Shakespeare on Film Shakespeare on Screen Shakespeare Quarterly Shakespeare's play shot Shrew Slavoj Ε½iΕΎek stage suggests symbolic tavern world Taymor Teaching Shakespeare theatrical tion Titania utopian viewer visual voice-over Welles's film Witchcraft witches York Zeffirelli Ε½iΕΎek
Popular passages
Page 108 - No sweet aspersion shall the heavens let fall To make this contract grow ; but barren hate, Sour-eyed disdain and discord shall bestrew The union of your bed with weeds so loathly That you shall hate it both : therefore take heed, As Hymen's lamps shall light you.β
Page 66 - A man may see how this world goes with no eyes. Look with thine ears : see how yond justice rails upon yond simple thief. Hark, in thine ear: change places; and, handy-dandy, which is the justice, which is the thief?β
Page 26 - To be, or not to be; that is the bare bodkin That makes calamity of so long life; For who would fardels bear, till Birnam Wood do come to Dunsinane, But that the fear of something after death Murders the innocent sleep, Great nature's second course, And makes us rather sling the arrows of outrageous fortune Than fly to others that we know not of.β
Page 215 - We know now that a text is not a line of words releasing a single 'theologicalβ
Page 52 - What I want is a strange conjunction with you - ' he said quietly; 'not meeting and mingling - you are quite right - but an equilibrium, a pure balance of two single beings - as the stars balance each other.β
Page 85 - I'd use them so That heaven's vault should crack. β She's gone for ever ! β I know when one is dead, and when one lives ; She's dead as earth. β Lend me a looking-glass ; If that her breath will mist or stain the stone, Why, then she lives.β
Page 9 - And so art is everywhere, since artifice is at the very heart of reality . And so art is dead, not only because its critical transcendence is gone, but because reality itself, entirely impregnated by an aesthetic which is inseparable from its own structure, has been confused with its own image.β
Page 82 - The eye of man hath not heard, the ear of man hath not seen, man's hand is not able to taste, his tongue to conceive, nor his heart to report what my dream was!β
Page 82 - Now we see but a poor reflection as in a mirror; then we shall see face to face. Now I know in part; then I shall know fully, even as I am fully known.β