Algorithmic Desire: Toward a New Structuralist Theory of Social Media

Front Cover
Northwestern University Press, Mar 15, 2021 - Philosophy - 240 pages

In Algorithmic Desire, Matthew Flisfeder shows that social media is a metaphor that reveals the dominant form of contemporary ideology: neoliberal capitalism. The preeminent medium of our time, social media’s digital platform and algorithmic logic shape our experience of democracy, enjoyment, and desire. Weaving between critical theory and analyses of popular culture, Flisfeder uses examples from The King’s Speech, Black Mirror, Gone Girl, The Circle, and Arrival to argue that social media highlights the antisocial dimensions of twenty‐first-century capitalism. He counters leading critical theories of social media—such as new materialism and accelerationism—and thinkers such as Gilles Deleuze and Michel Foucault, proposing instead a new structuralist account of the ideology and metaphor of social media. Emphasizing the structural role of crises, gaps, and negativity as central to our experiences of reality, Flisfeder interprets the social media metaphor through a combination of dialectical, Marxist, and Lacanian frameworks to show that algorithms may indeed read our desire, but capitalism, not social media, truly makes us antisocial. Wholly original in its interdisciplinary approach to social media and ideology, Flisfeder’s conception of “algorithmic desire” is timely, intriguing, and sure to inspire debate.

 

Contents

Acknowledgments
Periodizing Social Media or Social Media Does Not Exist
Enjoying Social Media
Subjection before Enslavement
InputOutput
Appearances That Matter and the Reified Subjects of Social
The Swiping Logic of the Signifier
The End of Social Media or Accelerate the Metaphor?
Index
Copyright

Other editions - View all

Common terms and phrases

About the author (2021)

MATTHEW FLISFEDER is an associate professor of rhetoric and communications at the University of Winnipeg. He is the author of Postmodern Theory and “Blade Runner” and The Symbolic, the Sublime, and Slavoj Žižek’s Theory of Film.

Bibliographic information