A Classified Synopsis of the Principal Painters of the Dutch and Flemish Schools, Their Scholars, Imitators, and Analogists: Including an Account of Some of the Early German Masters, Connected with Those of Flanders and Holland |
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Page x
... latter of whom had many followers . Some copies of Vander Werf are not so easily detected , but they are not numerous ; those done by Seydelmann , in bistre , approach nearest to the originals . The imitators of Poelemburg have not been ...
... latter of whom had many followers . Some copies of Vander Werf are not so easily detected , but they are not numerous ; those done by Seydelmann , in bistre , approach nearest to the originals . The imitators of Poelemburg have not been ...
Page xv
... latter require the example rather than the rule , and to these , it is presumed , this work will be of some assistance . It is the first of the kind which has appeared in the English language , and if ap- proved may embrace a wider ...
... latter require the example rather than the rule , and to these , it is presumed , this work will be of some assistance . It is the first of the kind which has appeared in the English language , and if ap- proved may embrace a wider ...
Page xxv
... latter will not be disputed in beauty and dignity . Elegance is nearly the opposite to stiff- ness , and consists , in a great degree , in a graceful suppleness and flexibility . EXPRESSION , is the representation of the human frame ...
... latter will not be disputed in beauty and dignity . Elegance is nearly the opposite to stiff- ness , and consists , in a great degree , in a graceful suppleness and flexibility . EXPRESSION , is the representation of the human frame ...
Page xxvii
... latter is always used by the English in a ludicrous sense . GROUP , signifies , in painting , the disposal of an assemblage of figures , or objects , by which they are collected and com- bined in such a manner that the eye can at once ...
... latter is always used by the English in a ludicrous sense . GROUP , signifies , in painting , the disposal of an assemblage of figures , or objects , by which they are collected and com- bined in such a manner that the eye can at once ...
Page 3
... latter being generally attributed to the former , in order to enhance their value in commerce . The pictures of Ruisdael , it must be admitted , have a richer tone , being in most instances fresh and lively in their tints , ( though ...
... latter being generally attributed to the former , in order to enhance their value in commerce . The pictures of Ruisdael , it must be admitted , have a richer tone , being in most instances fresh and lively in their tints , ( though ...
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Common terms and phrases
admirable Adrian Albert Albert Cuyp Albert Durer altar-piece amateur Analogists animals artist attributed beauty Berchem born at Amsterdam born at Antwerp born at Haerlem born at Utrecht Bruges Brussels chiaroscuro churches colouring compositions Cuyp dead game died Dutch Dyck edition of Bryan's eminent England excellent execution Eyck finished Flemish Francis fruit and flowers Gallery Gerard Dou Hague Hans Hemling head of Principal Hemling Holland hunting Italian Italy JACOB Jan Asselyn Jan Steen Jan van Huysum Karel du Jardin landscapes and cattle manner master Metsu Mieris native numerous objects Ostade painted landscapes painted small painter Paul Potter penciling PETER Philip Wouwerman Poelemburg portrait painter Principal Painters Rembrandt represented resemblance Rome Ruisdael scenery scenes scholar of Rubens Scholars and Imitators small landscapes Smith's Catalogue Raisonné studied style subjects supposed talent taste Teniers tion Trans tures Utrecht Vander Velde views vols Wouwerman writers