The Plays of William Shakspeare: In Fifteen Volumes. With the Corrections and Illustrations of Various Commentators. To which are Added NotesT. Longman, 1793 |
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Page iii
... as represented by Faithorne , that it appears to have sunk that celebrated engraver beneath many a common artist in the same line . + See Vol . I. p . 29 . * Much respect is due to the authority of portraits 22 ADVERTISEMENT . 111.
... as represented by Faithorne , that it appears to have sunk that celebrated engraver beneath many a common artist in the same line . + See Vol . I. p . 29 . * Much respect is due to the authority of portraits 22 ADVERTISEMENT . 111.
Page iv
... respect is due to the authority of portraits that descend in families from heir to heir ; but little reliance can be placed on them when they are produced for sale ( as in the present instance ) by alien hands , almost a century after ...
... respect is due to the authority of portraits that descend in families from heir to heir ; but little reliance can be placed on them when they are produced for sale ( as in the present instance ) by alien hands , almost a century after ...
Page x
... respecting his own ? And yet , though the sword may have been drawn against him , he shall not complain that its point is " unbated and envenomed ; " for the conductors of this under- taking do not scruple thus openly to express their ...
... respecting his own ? And yet , though the sword may have been drawn against him , he shall not complain that its point is " unbated and envenomed ; " for the conductors of this under- taking do not scruple thus openly to express their ...
Page xii
... respect , “ but may not our want of yet earlier and less corrupted editions of these very dramas be solely attributed to the monopolizing vigilance of its editors , Messieurs Hemings and Condell ? Finding they had been , deprived of ...
... respect , “ but may not our want of yet earlier and less corrupted editions of these very dramas be solely attributed to the monopolizing vigilance of its editors , Messieurs Hemings and Condell ? Finding they had been , deprived of ...
Page xiii
... respecting ourselves , For what is it , under pretence of restoration , but to use him as he has used the Tinker in the Taming of a Sbrew , to re - clothe him in his pristine rags ? To assemble parallels in support of all these de ...
... respecting ourselves , For what is it , under pretence of restoration , but to use him as he has used the Tinker in the Taming of a Sbrew , to re - clothe him in his pristine rags ? To assemble parallels in support of all these de ...
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Common terms and phrases
acted addreſſed afcertain alluded almoſt alſo ancient appears becauſe beſt Cæfar circumſtance comedy compoſed copy criticks Cymbeline daughter death drama dramatick editor Elizabeth Engliſh faid fame feems fince firſt firſt edition fome fuch fufficient Hamlet Henry IV houſe impreſſions inferted inſtances iſſue Jonfon juſt King Henry King Henry VI King Lear labour laſt leſs Loft Lover's Melancholy Macbeth MALONE moſt muſt Naſh obſerved occafion old plays paſſage perſons piece players pleaſe pleaſure poet poet's preſent printed probably publick publiſhed purpoſe quarto Queen queſtion reaſon Regiſter reſpect reſt Richard Romeo and Juliet ſame ſays ſcene ſeems ſeen ſenſe ſeveral Shak Shakſpeare's ſhall ſhe ſhew ſhould ſome ſometimes ſpeaking ſpeare ſtage ſtand ſtate STEEVENS ſtill ſtory Stratford ſubject ſuch ſuppoſe theatre theſe theſe plays Thomas thoſe thought tion title-page Titus Andronicus tragedy Twelfth Night uſe verſes whoſe William Shakſpeare Winter's Tale words writer written
Popular passages
Page 186 - He carries his persons indifferently through right and wrong, and at the close dismisses them without further care, and leaves their examples to operate by chance. This fault the barbarity of his age cannot extenuate, for it is always a writer's duty to make the world better, and justice is a virtue independent on time or place.
Page 221 - He was the man who of all modern, and perhaps ancient poets, had the largest and most comprehensive soul. All the images of nature were still present to him, and he drew them not laboriously, but luckily : when he describes anything, you more than see it, you feel it too.
Page 179 - This therefore is the praise of Shakespeare, that his drama is the mirror of life; that he who has mazed his imagination, in following the phantoms which other writers raise up before him, may here be cured of his delirious ecstasies, by reading human sentiments in human language, by scenes from which a hermit may estimate the transactions of the world, and a confessor predict the progress of the passions.
Page 221 - All the images of nature were still present to him, and he drew them not laboriously but luckily: when he describes anything you more than see it, you feel it too. Those who accuse him to have wanted learning, give him the greater commendation: he was naturally learned; he needed not the spectacles of books to read Nature; he looked inwards, and found her there.
Page 47 - They have their exits and their entrances, And one man in his time plays many parts, His acts being seven ages.
Page 176 - Shakespeare is above all writers, at least above all modern writers, the poet of Nature; the poet that holds up to his readers a faithful mirror of manners and of life.
Page 220 - Notes are often necessary, but they are necessary evils. Let him that is yet unacquainted with the powers of Shakespeare and who desires to feel the highest pleasure that the drama can give read every play from the first scene to the last, with utter negligence of all his commentators. When his fancy is once on the wing, let it not stoop at correction or explanation.
Page 192 - The objection arising from the impossibility of passing the first hour at Alexandria and the next at Rome supposes that, when the play opens, the spectator really imagines himself at Alexandria, and believes that his walk to the theatre has been a voyage to Egypt, and that he lives in the days of Antony and Cleopatra. Surely he that imagines this may imagine more.
Page 358 - tis a common proof, That lowliness is young ambition's ladder, Whereto the climber-upward turns his face; But when he once attains the upmost round, He then unto the ladder turns his back, Looks in the clouds, scorning the base degrees By which he did ascend: so Caesar may; Then, lest he may, prevent.
Page 184 - Shakespeare engaged in dramatic poetry with the world open before him. The rules of the ancients were yet known to few; the public judgment was unformed; he had no example of such fame as might force him upon imitation, nor critics of such authority as might restrain his extravagance.