The Plays of William Shakspeare: In Fifteen Volumes. With the Corrections and Illustrations of Various Commentators. To which are Added NotesT. Longman, 1793 |
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Page xii
... quarto , or their successors , the editors of the first folio ; that we have sometimes followed the suggestions of a ... quartos of Macbeth , Antony and Cleopatra , All's well that ends well , & c . been sent into the world , from ...
... quarto , or their successors , the editors of the first folio ; that we have sometimes followed the suggestions of a ... quartos of Macbeth , Antony and Cleopatra , All's well that ends well , & c . been sent into the world , from ...
Page xxiii
... quarto and folio editions . The folio therefore of 1623 , corrected from one or both the authorities above mentioned , we conceive to have been the basis of its successor in 1632 . At the same time , however , a fresh and abun- dant ...
... quarto and folio editions . The folio therefore of 1623 , corrected from one or both the authorities above mentioned , we conceive to have been the basis of its successor in 1632 . At the same time , however , a fresh and abun- dant ...
Page xxxii
... quarto and folio - mongers , have still left sufficient work for a race of commentators who are yet unborn . Be it remembered also , that the assistants and adversaries of editors , enjoy one material advan- tage over xxxii ADVERTISEMENT .
... quarto and folio - mongers , have still left sufficient work for a race of commentators who are yet unborn . Be it remembered also , that the assistants and adversaries of editors , enjoy one material advan- tage over xxxii ADVERTISEMENT .
Page 16
... quarto , 1680 : " Our learned Hales was wont to affert , that , fince the time of Orpheus , and the oldest poets , no common - place has been touched upon , where our author has not performed as well . " Dryden himfelf also certainly ...
... quarto , 1680 : " Our learned Hales was wont to affert , that , fince the time of Orpheus , and the oldest poets , no common - place has been touched upon , where our author has not performed as well . " Dryden himfelf also certainly ...
Page 32
... quarto ; faid to be engraved from an original picture in the pof- feffion of the earl of Oxford ; and another , a mezzotinto , by Ear- lom , prefixed to an edition of King Lear , in 1770 ; faid to be done from an original by Cornelius ...
... quarto ; faid to be engraved from an original picture in the pof- feffion of the earl of Oxford ; and another , a mezzotinto , by Ear- lom , prefixed to an edition of King Lear , in 1770 ; faid to be done from an original by Cornelius ...
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Common terms and phrases
acted addreſſed afcertain alluded almoſt alſo ancient appears becauſe beſt Cæfar circumſtance comedy compoſed copy criticks Cymbeline daughter death drama dramatick editor Elizabeth Engliſh faid fame feems fince firſt firſt edition fome fuch fufficient Hamlet Henry IV houſe impreſſions inferted inſtances iſſue Jonfon juſt King Henry King Henry VI King Lear labour laſt leſs Loft Lover's Melancholy Macbeth MALONE moſt muſt Naſh obſerved occafion old plays paſſage perſons piece players pleaſe pleaſure poet poet's preſent printed probably publick publiſhed purpoſe quarto Queen queſtion reaſon Regiſter reſpect reſt Richard Romeo and Juliet ſame ſays ſcene ſeems ſeen ſenſe ſeveral Shak Shakſpeare's ſhall ſhe ſhew ſhould ſome ſometimes ſpeaking ſpeare ſtage ſtand ſtate STEEVENS ſtill ſtory Stratford ſubject ſuch ſuppoſe theatre theſe theſe plays Thomas thoſe thought tion title-page Titus Andronicus tragedy Twelfth Night uſe verſes whoſe William Shakſpeare Winter's Tale words writer written
Popular passages
Page 186 - He carries his persons indifferently through right and wrong, and at the close dismisses them without further care, and leaves their examples to operate by chance. This fault the barbarity of his age cannot extenuate, for it is always a writer's duty to make the world better, and justice is a virtue independent on time or place.
Page 221 - He was the man who of all modern, and perhaps ancient poets, had the largest and most comprehensive soul. All the images of nature were still present to him, and he drew them not laboriously, but luckily : when he describes anything, you more than see it, you feel it too.
Page 179 - This therefore is the praise of Shakespeare, that his drama is the mirror of life; that he who has mazed his imagination, in following the phantoms which other writers raise up before him, may here be cured of his delirious ecstasies, by reading human sentiments in human language, by scenes from which a hermit may estimate the transactions of the world, and a confessor predict the progress of the passions.
Page 221 - All the images of nature were still present to him, and he drew them not laboriously but luckily: when he describes anything you more than see it, you feel it too. Those who accuse him to have wanted learning, give him the greater commendation: he was naturally learned; he needed not the spectacles of books to read Nature; he looked inwards, and found her there.
Page 47 - They have their exits and their entrances, And one man in his time plays many parts, His acts being seven ages.
Page 176 - Shakespeare is above all writers, at least above all modern writers, the poet of Nature; the poet that holds up to his readers a faithful mirror of manners and of life.
Page 220 - Notes are often necessary, but they are necessary evils. Let him that is yet unacquainted with the powers of Shakespeare and who desires to feel the highest pleasure that the drama can give read every play from the first scene to the last, with utter negligence of all his commentators. When his fancy is once on the wing, let it not stoop at correction or explanation.
Page 192 - The objection arising from the impossibility of passing the first hour at Alexandria and the next at Rome supposes that, when the play opens, the spectator really imagines himself at Alexandria, and believes that his walk to the theatre has been a voyage to Egypt, and that he lives in the days of Antony and Cleopatra. Surely he that imagines this may imagine more.
Page 358 - tis a common proof, That lowliness is young ambition's ladder, Whereto the climber-upward turns his face; But when he once attains the upmost round, He then unto the ladder turns his back, Looks in the clouds, scorning the base degrees By which he did ascend: so Caesar may; Then, lest he may, prevent.
Page 184 - Shakespeare engaged in dramatic poetry with the world open before him. The rules of the ancients were yet known to few; the public judgment was unformed; he had no example of such fame as might force him upon imitation, nor critics of such authority as might restrain his extravagance.