The Plays of William Shakspeare: In Fifteen Volumes. With the Corrections and Illustrations of Various Commentators. To which are Added NotesT. Longman, 1793 |
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Page x
... shall not complain that its point is " unbated and envenomed ; " for the conductors of this under- taking do not scruple thus openly to express their wishes that it may have merit enough to provoke a revision from the acknowledged ...
... shall not complain that its point is " unbated and envenomed ; " for the conductors of this under- taking do not scruple thus openly to express their wishes that it may have merit enough to provoke a revision from the acknowledged ...
Page xvi
... shall not shrink from controversy with those who maintain a diffe- rent opinion , and refuse to acquiesce in modern suggestions if opposed to the authority of quartos and folios , consigned to us by a set of people who were wholly ...
... shall not shrink from controversy with those who maintain a diffe- rent opinion , and refuse to acquiesce in modern suggestions if opposed to the authority of quartos and folios , consigned to us by a set of people who were wholly ...
Page xxxi
... shall not , how- ever , be ostentatiously pointed out , and for this only reason : - That as they decrease but lit- tle , if at all , the vigour of Shakspeare , the cri- tick who in general has performed with accuracy one of the ...
... shall not , how- ever , be ostentatiously pointed out , and for this only reason : - That as they decrease but lit- tle , if at all , the vigour of Shakspeare , the cri- tick who in general has performed with accuracy one of the ...
Page xxxii
... shall venture also to assert , that , on a minute scrutiny , every editor , in his turn , may be charged with omission of some preferable reading ; so that he who drags his predecessor to justice on this score , will have good luck if ...
... shall venture also to assert , that , on a minute scrutiny , every editor , in his turn , may be charged with omission of some preferable reading ; so that he who drags his predecessor to justice on this score , will have good luck if ...
Page xl
... shall go into the town without a companion as a witness of his honesty , on pain for the first offence to be deprived of a week's com- mons , with further punishment for the offence if repeated . REED . DIRECTIONS TO THE BINDER ...
... shall go into the town without a companion as a witness of his honesty , on pain for the first offence to be deprived of a week's com- mons , with further punishment for the offence if repeated . REED . DIRECTIONS TO THE BINDER ...
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acted addreſſed afcertain alluded almoſt alſo ancient appears becauſe beſt Cæfar circumſtance comedy compoſed copy criticks Cymbeline daughter death drama dramatick editor Elizabeth Engliſh faid fame feems fince firſt firſt edition fome fuch fufficient Hamlet Henry IV houſe impreſſions inferted inſtances iſſue Jonfon juſt King Henry King Henry VI King Lear labour laſt leſs Loft Lover's Melancholy Macbeth MALONE moſt muſt Naſh obſerved occafion old plays paſſage perſons piece players pleaſe pleaſure poet poet's preſent printed probably publick publiſhed purpoſe quarto Queen queſtion reaſon Regiſter reſpect reſt Richard Romeo and Juliet ſame ſays ſcene ſeems ſeen ſenſe ſeveral Shak Shakſpeare's ſhall ſhe ſhew ſhould ſome ſometimes ſpeaking ſpeare ſtage ſtand ſtate STEEVENS ſtill ſtory Stratford ſubject ſuch ſuppoſe theatre theſe theſe plays Thomas thoſe thought tion title-page Titus Andronicus tragedy Twelfth Night uſe verſes whoſe William Shakſpeare Winter's Tale words writer written
Popular passages
Page 186 - He carries his persons indifferently through right and wrong, and at the close dismisses them without further care, and leaves their examples to operate by chance. This fault the barbarity of his age cannot extenuate, for it is always a writer's duty to make the world better, and justice is a virtue independent on time or place.
Page 221 - He was the man who of all modern, and perhaps ancient poets, had the largest and most comprehensive soul. All the images of nature were still present to him, and he drew them not laboriously, but luckily : when he describes anything, you more than see it, you feel it too.
Page 179 - This therefore is the praise of Shakespeare, that his drama is the mirror of life; that he who has mazed his imagination, in following the phantoms which other writers raise up before him, may here be cured of his delirious ecstasies, by reading human sentiments in human language, by scenes from which a hermit may estimate the transactions of the world, and a confessor predict the progress of the passions.
Page 221 - All the images of nature were still present to him, and he drew them not laboriously but luckily: when he describes anything you more than see it, you feel it too. Those who accuse him to have wanted learning, give him the greater commendation: he was naturally learned; he needed not the spectacles of books to read Nature; he looked inwards, and found her there.
Page 47 - They have their exits and their entrances, And one man in his time plays many parts, His acts being seven ages.
Page 176 - Shakespeare is above all writers, at least above all modern writers, the poet of Nature; the poet that holds up to his readers a faithful mirror of manners and of life.
Page 220 - Notes are often necessary, but they are necessary evils. Let him that is yet unacquainted with the powers of Shakespeare and who desires to feel the highest pleasure that the drama can give read every play from the first scene to the last, with utter negligence of all his commentators. When his fancy is once on the wing, let it not stoop at correction or explanation.
Page 192 - The objection arising from the impossibility of passing the first hour at Alexandria and the next at Rome supposes that, when the play opens, the spectator really imagines himself at Alexandria, and believes that his walk to the theatre has been a voyage to Egypt, and that he lives in the days of Antony and Cleopatra. Surely he that imagines this may imagine more.
Page 358 - tis a common proof, That lowliness is young ambition's ladder, Whereto the climber-upward turns his face; But when he once attains the upmost round, He then unto the ladder turns his back, Looks in the clouds, scorning the base degrees By which he did ascend: so Caesar may; Then, lest he may, prevent.
Page 184 - Shakespeare engaged in dramatic poetry with the world open before him. The rules of the ancients were yet known to few; the public judgment was unformed; he had no example of such fame as might force him upon imitation, nor critics of such authority as might restrain his extravagance.