Shakespeare's Imagery: And what it Tells Us |
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Page 105
... realising that he is so hope- lessly besmirched and involved in the results of his crime , that he dare not even pray ... realise the imminence of their 3 H. VI , 2. 5. 129 A. and C. 4. 7. 12 Ham . 3. 3. 67 danger , she compares her boy ...
... realising that he is so hope- lessly besmirched and involved in the results of his crime , that he dare not even pray ... realise the imminence of their 3 H. VI , 2. 5. 129 A. and C. 4. 7. 12 Ham . 3. 3. 67 danger , she compares her boy ...
Page 338
... realised all , again it is in sea language that he expresses his equally set determination to follow Desdemona : Here is my journey's end , here is my butt And very sea - mark of my utmost sail . The ... realise how 338 SHAKESPEARE'S IMAGERY.
... realised all , again it is in sea language that he expresses his equally set determination to follow Desdemona : Here is my journey's end , here is my butt And very sea - mark of my utmost sail . The ... realise how 338 SHAKESPEARE'S IMAGERY.
Page 355
... realise a little more fully and accurately one of the many ways by which he so magically stirs our emotions and excites our imagination . I believe it not only does this , but sometimes even throws a fresh ray of light on the ...
... realise a little more fully and accurately one of the many ways by which he so magically stirs our emotions and excites our imagination . I believe it not only does this , but sometimes even throws a fresh ray of light on the ...
Contents
The Aim and Method explained | 3 |
Shakespeares Imagery compared with | 12 |
Imagery of Shakespeare and other | 30 |
Copyright | |
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action All's animals Antony Antony and Cleopatra Bacon beauty Ben Jonson Berkeley Berkeley Castle bird bodily body CALIFORNIA LIBRARY character characteristic chiefly colour Coriolanus cries Cymbeline death declares describes disease dogs doth dramatists drawn Elizabethan emotion emphasised evil eyes falconry fear feeling fire foul garden Gloucester Hamlet hath heaven Henry Henry VI Honest Whore horror human idea imagery imagination Imogen interest King John King Lear large number light Love's Love's Labour's Lost lovers Macbeth Marlowe metaphor movement nature night noticed number of images Othello passion personifications picture play poison realise Richard Richard II river Romeo and Juliet says scene sense Shake Shakespeare Shakespeare's mind sickness similes smell soul sound speare's sport stars sweet swift symbol things thou thought Timon tion touch tragedy tree Troilus and Cressida VIII vivid weeds whole wind words