Janácek Studies

Front Cover
Cambridge University Press, Oct 21, 1999 - Music - 292 pages
This book is the first major publication devoted to the music of Janáček, now widely regarded as one of the most important composers of the early twentieth century. The essays, all by leading scholars, deal with a broad range of subjects relating to opera, symphonic poem, instrumental music, cultural context and reception. Some topics, such as the sources of Janáček's musical expressivity, questions of narrative, Janáček as musical analyst and Janáček as realist, are considered seriously for the first time, whilst other more conventional topics, such as 'speech melody' and Janáček's ethnographic activities, are reappraised. A transcription of Janáček's analytical study of 'Jeux de vagues' from Debussy's La Mer is published for the first time, and this document is considered in the light of Janáček's theory of music as a whole and of the reception of La Mer.
 

Contents

Janáčeks solo piano music 18
18
Narrative in Janáčeks symphonic poems 36
36
narrative construction in Dostoyevskys
56
Direct discourse and speech melody in Janáčeks operas 79
79
Kunderas eternal present and Janáčeks ancient Gypsy 109
109
Janáčeks folk settings and the Vixen 127
127
a performance history 148
148
Janáčeks Moravian publishers 170
170
Janáček musical analysis and Debussys Jeux de vagues 183
183
Index 281
281
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