The Rhythms of English Poetry |
From inside the book
Results 1-3 of 25
Page 69
... stress to be subordinated to a following stress within a syntactic unit , whether or not any unstressed syllables ... contour as a hierarchical organisation is that it does not create the false impression of a series of syllables , each with ...
... stress to be subordinated to a following stress within a syntactic unit , whether or not any unstressed syllables ... contour as a hierarchical organisation is that it does not create the false impression of a series of syllables , each with ...
Page 220
... stress to rules , since it depends so much on the specific linguistic context in which the word appears . The same ... contour depends a great deal on his awareness of the phonological structure of the words and of the syntactic structure of ...
... stress to rules , since it depends so much on the specific linguistic context in which the word appears . The same ... contour depends a great deal on his awareness of the phonological structure of the words and of the syntactic structure of ...
Page 229
... stress and so cannot function as a final beat . In a different semantic context , the stress pattern of ' thou art ... contour produced by phonology and syntax , and that the variable which determines the role of that neutral contour in ...
... stress and so cannot function as a final beat . In a different semantic context , the stress pattern of ' thou art ... contour produced by phonology and syntax , and that the variable which determines the role of that neutral contour in ...
Contents
TRADITIONAL APPROACHES | 3 |
LINGUISTIC APPROACHES | 44 |
34 | 50 |
Copyright | |
10 other sections not shown
Other editions - View all
Common terms and phrases
acceptable alliteration allow already alternation approach beat beginning chapter classical common complex conventions course create demands demotion deviation discussion distinction double offbeat duple effect emphasis English example expectations experience expressive fact falling final five-beat four-beat function further give given hand iambic implied offbeat important indicate initial instance inversion kind language less linguistic means metre metrical pattern metrical set movement natural nonstresses normal noted observed occur opening optional pairing particular pause pentameter perceived perhaps phrase poem poetry poets position possible preference principle produces promotion pronunciation provides reader reading realisation reflect regular result rhyme rhythm rhythmic rules scansion semantic sense sequence simple single sounds speech stanza stress strong structure style subordination suggest syntactic tension theory third tradition triple trochaic underlying units unstressed syllables usually variation verse