The Rhythms of English Poetry |
From inside the book
Results 1-3 of 40
Page 107
... reflected by the punctuation ) , and a run - on which occurs between , say , a noun and the verb of which it is the ... reflect the subdivisions and relationships of the basic form . A striking fact about four - beat verse is that rhyme ...
... reflected by the punctuation ) , and a run - on which occurs between , say , a noun and the verb of which it is the ... reflect the subdivisions and relationships of the basic form . A striking fact about four - beat verse is that rhyme ...
Page 126
... reflected in the way a poet writes : Byron's verse in five - beat lines , for instance , tends to be much more subtle in its rhythmic ... reflect the rhythm of the spoken language . Although we 126 THE FIVE - BEAT RHYTHM Dipodic rhythms.
... reflected in the way a poet writes : Byron's verse in five - beat lines , for instance , tends to be much more subtle in its rhythmic ... reflect the rhythm of the spoken language . Although we 126 THE FIVE - BEAT RHYTHM Dipodic rhythms.
Page 155
... reflect the perceived relationships on which the apprehension of rhythm is based , make no attempt to represent the actual psychological processes of reading in the order in which they occur . One aspect of the reader's understanding of ...
... reflect the perceived relationships on which the apprehension of rhythm is based , make no attempt to represent the actual psychological processes of reading in the order in which they occur . One aspect of the reader's understanding of ...
Contents
TRADITIONAL APPROACHES | 3 |
LINGUISTIC APPROACHES | 44 |
34 | 50 |
Copyright | |
10 other sections not shown
Other editions - View all
Common terms and phrases
acceptable alliteration allow already alternation approach beat beginning chapter classical common complex conventions course create demands demotion deviation discussion distinction double offbeat duple effect emphasis English example expectations experience expressive fact falling final five-beat four-beat function further give given hand iambic implied offbeat important indicate initial instance inversion kind language less linguistic means metre metrical pattern metrical set movement natural nonstresses normal noted observed occur opening optional pairing particular pause pentameter perceived perhaps phrase poem poetry poets position possible preference principle produces promotion pronunciation provides reader reading realisation reflect regular result rhyme rhythm rhythmic rules scansion semantic sense sequence simple single sounds speech stanza stress strong structure style subordination suggest syntactic tension theory third tradition triple trochaic underlying units unstressed syllables usually variation verse