The Rhythms of English Poetry |
From inside the book
Results 1-3 of 48
Page 47
... phonological feature of the language itself , and the only examples of prosodic rules which Kiparsky discusses are those which allow certain syllables of English to be discounted for metrical purposes , making it possible , for instance ...
... phonological feature of the language itself , and the only examples of prosodic rules which Kiparsky discusses are those which allow certain syllables of English to be discounted for metrical purposes , making it possible , for instance ...
Page 156
... phonological phenomena are used to justify each other . Our rules will therefore make use of nothing more complex at the level of phonology than a classification of syllables as stressed or unstressed ; with the implication that in any ...
... phonological phenomena are used to justify each other . Our rules will therefore make use of nothing more complex at the level of phonology than a classification of syllables as stressed or unstressed ; with the implication that in any ...
Page 393
... phonology , 29-30 , 37 , 44 , 52 , 61-75 passim , 122 n7 , 156 , 157 n4 , 170 , 215 : see also Chomsky - Halle phonology ... phonological , 36–7 run - on lines , 8 , 107 , 132–7 , 166–7 , 188 , 327 Ruskin , John , 125 , 130 , 164 Russian ...
... phonology , 29-30 , 37 , 44 , 52 , 61-75 passim , 122 n7 , 156 , 157 n4 , 170 , 215 : see also Chomsky - Halle phonology ... phonological , 36–7 run - on lines , 8 , 107 , 132–7 , 166–7 , 188 , 327 Ruskin , John , 125 , 130 , 164 Russian ...
Contents
TRADITIONAL APPROACHES | 3 |
LINGUISTIC APPROACHES | 44 |
34 | 50 |
Copyright | |
10 other sections not shown
Other editions - View all
Common terms and phrases
acceptable alliteration allow already alternation approach beat beginning chapter classical common complex conventions course create demands demotion deviation discussion distinction double offbeat duple effect emphasis English example expectations experience expressive fact falling final five-beat four-beat function further give given hand iambic implied offbeat important indicate initial instance inversion kind language less linguistic means metre metrical pattern metrical set movement natural nonstresses normal noted observed occur opening optional pairing particular pause pentameter perceived perhaps phrase poem poetry poets position possible preference principle produces promotion pronunciation provides reader reading realisation reflect regular result rhyme rhythm rhythmic rules scansion semantic sense sequence simple single sounds speech stanza stress strong structure style subordination suggest syntactic tension theory third tradition triple trochaic underlying units unstressed syllables usually variation verse