The Rhythms of English Poetry |
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Page 126
Derek Attridge. reason for this difference is equally obvious : a four - beat rhythm , and its manifestation in different line - lengths , is the product of the fundamental doubling principle discussed ... FIVE - BEAT RHYTHM Dipodic rhythms.
Derek Attridge. reason for this difference is equally obvious : a four - beat rhythm , and its manifestation in different line - lengths , is the product of the fundamental doubling principle discussed ... FIVE - BEAT RHYTHM Dipodic rhythms.
Page 127
... 5 × 2 or 5 × 4 , these do not have the same cohesion as the 4 × 4 structure , and the true underlying rhythm of five - beat verse is always the single five - beat unit . The metrical patterns which realise four - beat verse can , as we ...
... 5 × 2 or 5 × 4 , these do not have the same cohesion as the 4 × 4 structure , and the true underlying rhythm of five - beat verse is always the single five - beat unit . The metrical patterns which realise four - beat verse can , as we ...
Page 128
... Five - beat lines are , of course , often divided internally by syntactic breaks , but it is one of the advantages of the pentameter as a vehicle for long poems that the rhythmic structure does not create pressure for ... FIVE - BEAT RHYTHM.
... Five - beat lines are , of course , often divided internally by syntactic breaks , but it is one of the advantages of the pentameter as a vehicle for long poems that the rhythmic structure does not create pressure for ... FIVE - BEAT RHYTHM.
Contents
TRADITIONAL APPROACHES | 3 |
LINGUISTIC APPROACHES | 44 |
34 | 50 |
Copyright | |
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Common terms and phrases
acceptable alliteration allow already alternation approach beat beginning chapter classical common complex conventions course create demands demotion deviation discussion distinction double offbeat duple effect emphasis English example expectations experience expressive fact falling final five-beat four-beat function further give given hand iambic implied offbeat important indicate initial instance inversion kind language less linguistic means metre metrical pattern metrical set movement natural nonstresses normal noted observed occur opening optional pairing particular pause pentameter perceived perhaps phrase poem poetry poets position possible preference principle produces promotion pronunciation provides reader reading realisation reflect regular result rhyme rhythm rhythmic rules scansion semantic sense sequence simple single sounds speech stanza stress strong structure style subordination suggest syntactic tension theory third tradition triple trochaic underlying units unstressed syllables usually variation verse