The Rhythms of English Poetry |
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Page 203
... anapaestic ' metres , the distinction once again hinging on the expected patterns at line - opening and line - end : fully dactylic verse would have a metrical pattern that begins with a beat and ends with a double offbeat , and anapaestic ...
... anapaestic ' metres , the distinction once again hinging on the expected patterns at line - opening and line - end : fully dactylic verse would have a metrical pattern that begins with a beat and ends with a double offbeat , and anapaestic ...
Page 388
... anapaestic metre , 7 , 20 , 109 , 125 , 203 , 325 : see also feet , anapaestic Arabic , 81 Arnold , G. F. , 75 n4 Ascham , Roger , 4 associative functions of rhythm , 300-3 , 341 Attridge , Derek , 95 , 179 , 192 Auden , W. H. , 98-9 ...
... anapaestic metre , 7 , 20 , 109 , 125 , 203 , 325 : see also feet , anapaestic Arabic , 81 Arnold , G. F. , 75 n4 Ascham , Roger , 4 associative functions of rhythm , 300-3 , 341 Attridge , Derek , 95 , 179 , 192 Auden , W. H. , 98-9 ...
Page 390
... anapaestic , 6-8 : see also anapaestic metre dactylic , 6-8 : see also dactylic metre iambic , 5 , 6-11 , 32 : see also iambic metre ionic , 14 monosyllabic , 174 paeonic , 117 pyrrhic , 6-8 , 15-16 , 24 , 41 spondaic , 6-8 , 15-16 , 24 ...
... anapaestic , 6-8 : see also anapaestic metre dactylic , 6-8 : see also dactylic metre iambic , 5 , 6-11 , 32 : see also iambic metre ionic , 14 monosyllabic , 174 paeonic , 117 pyrrhic , 6-8 , 15-16 , 24 , 41 spondaic , 6-8 , 15-16 , 24 ...
Contents
TRADITIONAL APPROACHES | 3 |
LINGUISTIC APPROACHES | 44 |
34 | 50 |
Copyright | |
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Common terms and phrases
acceptable alliteration allow already alternation approach beat beginning chapter classical common complex conventions course create demands demotion deviation discussion distinction double offbeat duple effect emphasis English example expectations experience expressive fact falling final five-beat four-beat function further give given hand iambic implied offbeat important indicate initial instance inversion kind language less linguistic means metre metrical pattern metrical set movement natural nonstresses normal noted observed occur opening optional pairing particular pause pentameter perceived perhaps phrase poem poetry poets position possible preference principle produces promotion pronunciation provides reader reading realisation reflect regular result rhyme rhythm rhythmic rules scansion semantic sense sequence simple single sounds speech stanza stress strong structure style subordination suggest syntactic tension theory third tradition triple trochaic underlying units unstressed syllables usually variation verse