Cinema Beyond Film: Media Epistemology in the Modern Era

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François Albéra, Maria Tortajada
Amsterdam University Press, 2010 - Performing Arts - 271 pages

Cinema Beyond Film elaborates on the theoretical uses of two key terms—dispositif and episteme—in order to examine their relationship as well as their larger connections to film, technology, and modernity. Although both terms originate in the work of Foucault, dispositif (“device”) intrinsically links itself to the mechanics of movement and speed behind cinematics, while more generally referring to the mechanisms and structures that hold power in place. Episteme (“to know”), on the other hand, refers to the conditions and possibilities of knowledge and reception, more than to technological innovation. Each term is explored here in relation to the other, allowing this edited collection to assess the wide array of potential materialities that arise from the mechanics behind cinema and the changing face of its technology.


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Introduction to an Epistemology of Viewing and Listening Dis
1 Epistemology
2 Exhibition
3 Body and Voice
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About the author (2010)

François Albera is professor of film and cinema studies at the University of Lausanne in Switzerland. Maria Tortajada is assistant professor in the Department of History and the Aesthetics of Film, also at the University of Lausanne.

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