Art, Glitter, and Glitz: Mainstream Playwrights and Popular Theatre in 1920s AmericaArthur Gewirtz, James Kolb The theatre and drama of the 1920s reflects a great synergy of art, glitter, and glitz—a decade of experimentation and incubation for mainstream American playwrights coexisting with important revivals of European playwrights and Shakespeare, a flourishing commercial theatre, and the vibrant worlds of burlesque, musical comedy, Revues and Follies. |
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... God's Chillun Got Wings Glenda Frank 1 All God's Chillun Got Wings is the third and last play in which Eugene O'Neill featured a black protagonist . In each , by selecting a different aspect of the black experience in America , he ...
... God's Chillun Got Wings . The censors confronted O'Neill for the first time in 1922. The Hairy Ape had enjoyed a quiet run at the Provincetown Playhouse , but when it relocated to the Plymouth Theatre on 17 April , the police tried to ...
... God's Chillun , Ince re- marked that there was a great difference between the two works . " Knowing Mr. O'Neill ... to be the most courageous of all contemporary dramatists , I think he had no idea of permitting [ All God's Chillun ] to ...
Contents
ReClaiming ONeills Strange Interlude as | 3 |
Dead and Dying Infants | 11 |
Oedipal Struggle | 19 |
Copyright | |
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