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Page 149
Mary Mann. the will of Von Gerlach in tragic combat . In The Condemned of Altona the will of old Von Gerlach easily overrides the other characters and reduces them to victims . Considering the age of Nazism and possibly the Algerian war ...
Mary Mann. the will of Von Gerlach in tragic combat . In The Condemned of Altona the will of old Von Gerlach easily overrides the other characters and reduces them to victims . Considering the age of Nazism and possibly the Algerian war ...
Page 152
... old man realizes that he himself is dying and that Leni and Johanna do not ... Von Gerlach , Franz , and Werner . Werner and the tragic climax In a tragedy ... old Von Gerlach has made choices for Franz which have deprived Franz of the ...
... old man realizes that he himself is dying and that Leni and Johanna do not ... Von Gerlach , Franz , and Werner . Werner and the tragic climax In a tragedy ... old Von Gerlach has made choices for Franz which have deprived Franz of the ...
Page 161
... Von Gerlach , a shadow or parallel of her father . I was born a Gerlach which means I am mad with pride - and I ... old Von Gerlach's death is inevitable that he says : Tell your Court of Crabs that I alone am guilty of everything . Yet ...
... Von Gerlach , a shadow or parallel of her father . I was born a Gerlach which means I am mad with pride - and I ... old Von Gerlach's death is inevitable that he says : Tell your Court of Crabs that I alone am guilty of everything . Yet ...
Contents
Introduction | 1 |
The Metaphysics of Tragic Construction | 9 |
The Method of Analysis | 15 |
Copyright | |
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Common terms and phrases
20th century action affairs affirmation Albany Antigone Aristotle art form assumptions audience awareness Cathedral character chorus civilization classical tragedy Claudius code of conduct common mortal Condemned of Altona contemporary relevance Cordelia Cornwall cosmic dimension cosmic imbalance Creon daughter death Denmark deviation dramatic dramatist Edgar edict Edmund England ennoblement father fidelity of correspondence Franz Gloucester Goneril governance Greek Haemon Hamlet harmony Henry Henry's highest energy drive human Johanna Kent kill King Hamlet King Lear Laertes law of primogeniture Leni mean mimesis mode of operation More's move Murder mystic nature old Von Gerlach organic unifier organic universe overall sequence personal dimension philosophy play play's plot political dimension Polonius Polyneices potential prepared material preservation primogeniture raw material Regan relationship reveals role says scientific Seasons sense sequence of events Shakespeare Shakespearean Sidney Morgenbesser spiritual survival T. S. Eliot Teiresias temporal Thebes thou tion tragedian tragic conflict Werner whole