Tribal Warfare: Survivor and the Political Unconscious of Reality Television

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Lexington Books, 2006 - Performing Arts - 196 pages
Tribal Warfare thoroughly investigates a central element of the hit reality television show Survivor that the existing literature on reality television has overlooked: class politics. Christopher J. Wright combines textual analysis and survey research to demonstrate that Survivor operates and resonates as a political allegory. Using the work of Fredric Jameson, this book reveals how Survivor frames its 'characters' as 'haves' and 'have-nots.' For those new to Jameson, Wright breaks down the theorist's complex notion of the political unconscious into easily understandable language. Furthermore, using the results of a survey of Survivor viewers, Tribal Warfare demonstrates that viewers divide along gender, racial, age, and--most significantly--class-related lines in their consumption of, and reaction to, the program. The first book to explore the premise of 'Survivor as society, ' this unique work serves as both an engaging analysis of a popular television program and a highly readable primer for those new to critical theory.
 

Contents

Interrogating the Obvious Survivor as Cultural Touchstone
xxiii
You Cannot Talk to the Guys in the Boat Survivor as the False Real
5
Apparently Reprehensible Material The Political Unconscious and Popular Culture
13
If It Happens Again Repression and the Tagi Alliance
25
Theyre All Lying to Me Repression Among Contestants
43
A Really Passionate Affair Repression Through Editing
61
These Three Girls Have All Been Riding Coattails Survivors Gender Wars
71
Thrashing Around Like Im ThirtyFive Paradoxes of Aging on Survivor
93
Always Historicize Symbolic Resolutions and Contemporary Politics
133
Synopses of First Eleven Survivor Seasons
143
Contestant Profiles and Ratings
147
Methodology
167
Bibliography
179
Index
187
About the Author
195
Copyright

This Thing Runs Deeper Than a Game Survivors Troubles With Race
107

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About the author (2006)

Christopher J. Wright began writing about political and cultural implications of Survivor in 2001 for PopPolitics.com. He works in the political media in Washington, D.C.

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